When I asked Feda if Raymond remembered Mr. Jackson, he spoke of him humorously, greatly to Feda's puzzlement, who said at last that he was mixing him up with a bird, about whom I had previously inquired; because he said, 'Fine bird, put him on a pedestal.' [Illustration: "CURLEY" AND "VIX", CURLEY BEING THE SHAGGY ONE. "VIX" WAS THE MOTHER OF RAYMOND'S DOG "LARRY"] [Illustration: RAYMOND IN HIS "NAGANT" MOTOR, 1913 OUTSIDE A FRIEND'S HOUSE IN SOMERSETSHIRE] If this was not telepathy from me, it seems to show a curious knowledge of what is going on at his home, for the bird had not been dead a week, and if he were alive there would be no sense in saying, 'put him on a pedestal.' Feda evidently understood it, or tried to understand it, as meaning that some man, a Mr. Jackson, was metaphorically put on a pedestal by the family. The fact, however, that Mr. Jackson was at once known by Raymond to be a bird is itself evidential, for there was nothing in the way I asked the question to make Feda or anyone think he was not a man. Indeed, that is precisely why she got rather bewildered. See Chapter XXI. IV. EPISODE OF THE PHOTOGRAPHS It is unnecessary to call attention to the importance of the photograph incident, which is fully narrated in Chapter IV; but he spoke later of another photograph, in which he said was included his friend Case. It is mentioned near the end of Chapter IV. That photograph we also obtained from Gale & Polden, and it is true that Case is in it as well as Raymond, whereas he was not in the former group; but this one is entirely different from the other, for they are both in a back row standing up, and in a quite open place. If this had been sent to us at first, instead of the right one, we should have considered the description quite wrong. As it is, the main photograph episode constitutes one of the best pieces of evidence that has been given. * * * * * REMARKS BY O. J. L. IN CONCLUDING PART II