Christian fiction; Domestic fiction; Families -- Fiction; Man-woman relationships -- Fiction; Young women -- Fiction
A little breathless gasp went from one to another in visible relief
as Cornelia came forward quickly, summoning a wan smile to her
lips, trying to steady her fingers to select something from the
mass of music on the piano that would meet the present need. Her
music did not include many popular favorites, a few that Carey had
brought home, that was all. But this if ever was the time to bring
it forth. Ah! Here was “Tim Rooney’s at the Fightin’.” It would do
as well as anything, and she placed it on the piano, and forced her
fingers into the opening chords, not daring to look around the room,
wondering what Clytie Dodd was doing now, and how she was taking her
interruption.
But Maxwell was not idle. She felt his protective presence behind
her. He was summoning every one into the chorus, even the father; and
he asked Clytie Dodd whether she didn’t sing alto, a challenge which
won a giggling acknowledgment from her.
“I thought so,” he said. “I can almost always tell when people sing
alto. Then come over on this side of the piano with me. I sing
bass; and Mr. Copley, are you bass, too? I thought so. Now, you two
fellows,”—turning to Brand and Carey, who were standing abashed
in the background, uncomfortable and half ready to bolt, but much
impressed by the tactics of the stranger,—“it’s up to you to sing
tenor. You’ve got to, whether you can or not, you know, because we
can’t do it, and it’s obvious that we have to have four parts. Miss
Kendall sings soprano, doesn’t she? And Miss Copley. Now, we’re off!
Give us those chords again, please.”
He started off himself with a splendid voice, and even a lame singer
found it easy to follow. They all had good voices, and, while no
one felt exactly like singing after a big dinner, they nevertheless
stumbled along bravely, and before the second verse was reached were
making quite a gallant chorus.
Before they had sung three songs they were quite in the spirit of the
thing; and Harry and Louise, emerging from a last delicious dish of
water-ice, joined in heartily, lending their young voices vigorously.
Clytie proved to have a tolerable voice. It was a bit louder than was
necessary, with a nasal twang now and then; but it blended well with
the other voices, and was not too obvious. Even Mr. Copley seemed to
have forgotten the unpleasant happening of a few moments before, and
was singing as lustily as when he was a young man.
Public-domain text, read in full here on John Shaqi.
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