Readers and Writers (1917-1921)Orage, A. R. (Alfred Richard)
History
Readers and Writers (1917-1921)
Orage, A. R. (Alfred Richard)
Literature, Modern -- History and criticism
THE IMPOTENCE OF SATIRE.—A correspondent has made the admirable
suggestion that a new _Don Quixote_ be written to slay the dragon of
Capitalism with the pen of satire. The suggestion is unconditionally
free; no acknowledgment of its source need be made; but anybody is
at liberty to begin on the work at once. Some excellent arguments are
adduced why the work should be undertaken. Capitalism has long troubled
the land, and its evils are generally admitted. Reason has failed to
make any impression on the beast, and sentiment appears almost to be
its favourite food. Satire, therefore, is plainly indicated as the
appropriate weapon, and at its crack, my correspondent suggests, the
beast would dissolve into nothing amidst universal laughter. What more
need be said but “Cervantes, forward!”?
Unfortunately my correspondent proceeds to weaken his appeal by affirming
that Cervantes himself had Capitalism in his mind when writing certain
chapters of the First Book of _Don Quixote_. In Chaps. 44 and 45 it
appears to me, he says, that Don Quixote’s identity as a capitalist is
undoubted. Sancho Panza’s identity with the mass of labour is equally
undoubted; and the middle classes are represented by a number of ladies
and gentlemen, a canon, a judge, and a doctor. These chapters standing
by themselves would be a good allegorical explanation of the present
financial position. But why of the “present” position, if satire is
capable of dissolving Capitalism in laughter? Without questioning the
allegorical character of the chapters referred to, which may, for all
I dare say, be a perfect anticipation of the economics of Douglas—it
is not encouraging to our present-day Cervantes to be told that their
proposed method has already been tried by a master only to leave the
dragon of Capitalism still to be tickled to death. Now one comes to think
of it, not even Chivalry, an even more undoubted object than Capitalism
of Cervantes’s satire, really died of the shock, for the very good
reason that it was dead before Cervantes rained his laughter upon it.
Even Cervantes’s satire killed nothing, and the task to be undertaken
for my correspondent is therefore greater than Cervantes’. In the spirit
of Squeers, I can only suggest that he who spells window, w-i-n-d-e-r,
should clean it. My correspondent, forward!
Public-domain text, read in full here on John Shaqi.
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