Readers and Writers (1917-1921)Orage, A. R. (Alfred Richard)
History
Readers and Writers (1917-1921)
Orage, A. R. (Alfred Richard)
Literature, Modern -- History and criticism
Passim. Is it possible that telepathy occurs between people having the
same mental “wavelength”? Coincidences (another Mesopotamian word, by the
way) are too frequent to be accountable on any other supposition than
that of an established communication. Like many another, I could give
some remarkable instances of telepathy, but they would be tedious to
relate. Mental training, however, is certainly a means to this end; for
in proportion as the mind is brought under control, its susceptibility
to thoughts from outside palpably increases. The experience of the Old
Testament prophet who knew the plans of the enemy before they were
uttered is not unique, even in these days. It will be far less uncommon
in the days to come.
* * * * *
Page 54. “_Is there a centre within us through which all the threads of
the universe are drawn?_” An ingenious image for a recurrent doctrine
of mysticism, the doctrine, namely, that everything is everywhere. One
of the earliest discoveries made in meditation is the magnitude of the
infinitesimal. The tiniest point of space appears to have room enough
for a world of images; and the mediæval discussion concerning the number
of angels that could dance on the point of a needle was by no means
ridiculous. If I am not mistaken, “Æ’s” problem is identical with it.
* * * * *
Page 89. The Architecture of Dreams. In this chapter “Æ” sets himself to
casting some doubts (shall we say?) on the sufficiency of the Freudian
theory of dreams. Dreams, according to Freud, are the dramatisation of
suppressed desires; but what, asks “Æ,” is the means by which desires,
suppressed or otherwise, dramatise themselves? “A mood or desire may
_attract_ its affinities”; in other words, there may be a congruity
between the desire and the dream which serves the Freudian purpose
of interpretation; but desire can hardly be said “to _create_ what
it attracts.” Between anger, for instance, and a definite vision of
conflict, such as the dream may represent, there is a gulf which the
theory of Freud does not enable us to cross. What, in fact, _are_ dreams?
_Who_ or _what_ carries out the dramatisation? Assuming, with Freud,
that their impulse is a desire, what power shapes this desire into the
dream-cartoon? “Æ” throws no light on the mystery, but, at any rate, he
does not dismiss it as no mystery at all. Its philosophical discussion is
to be found in the Indian philosophy known as the Sankhya.
* * * * *
Public-domain text, read in full here on John Shaqi.
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