Readers and Writers (1917-1921)Orage, A. R. (Alfred Richard)
History
Readers and Writers (1917-1921)
Orage, A. R. (Alfred Richard)
Literature, Modern -- History and criticism
It is significant that concurrently with such a social diagnosis as
anyone may make, special observers, with or without a bee in their
bonnet, are arriving at the same conclusion. There are very confident
guesses now being disseminated by the various religious and mystic
schools concerning what, in their vocabulary, they call the Second
Advent—which, however, may well be the seven hundredth or the seven
thousandth for all we know. Attach no importance, if you like, to the
phenomena in question, but the fact of the coincidence of forecast is
somewhat impressive; for while it is absurd to believe the “Second
Adventists” of all denominations when they stand alone in their
prognostications, their testimony is not negligible when it is supported
by what amounts to science. And the fact is that to-day science, no less
than mysticism, is apprehensive of a New Coming of some kind or other.
What the nature of that New Coming is likely to be, and when or how it
will manifest itself, are matters beyond direct knowledge, but the ear of
science, no less than the ear of mysticism, is a little thrilled with the
spirit of expectation.
LEONARDO DA VINCI AS PIONEER.—Leonardo da Vinci’s name has been
frequently mentioned among the intelligent during the last few years, and
it cannot be without a meaning. It may be said that his reappearance as a
subject for discussion is due to a fortuitous concurrence of publishers.
But accidents of this kind are like miracles: they do not happen; and
I, for one, am inclined to suspect the “collective unconscious” of a
design in thrusting forward at this moment the name and personality of
the great Renaissance humanist. What can we guess the design to be? What
is the interpretation of this prominent figure in our current collective
dreams? The symbols appearing in dreams are the expressive language of
the unconscious mind, and the appearance of the symbol of da Vinci is
or may be an indication that the “unconscious” is “dreaming” of a new
Renaissance. And since the dreams of the unconscious to-day are or may be
the acts of the conscious to-morrow, the prevalent interest in Leonardo
is a further possible piece of evidence that we are or may be on the eve
of a recurrence of the Italian Renaissance.
Public-domain text, read in full here on John Shaqi.
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