Mexican literature -- Translations into English; Mexican prose literature
In _La Parcela_ the author presents a sketch of characteristic country
life. The novel has for purpose the illustration of the strong, almost
morbid, affection for land felt by the native proprietor.
Don Pedro Ruiz is a wealthy and progressive _haciendero_ of pure Indian
blood. He is noble-hearted, thoughtful, shrewd, intelligent and a man of
resources. A widower, he is devotedly attached to his only son, Gonzalo,
a fine young fellow of twenty-three years. The owner of the adjoining
property, Don Miguel Diaz, has been a life-long friend, and between them
exists the artificial relation of _compadre_. His wife, Doña Paz, is a
cousin of Don Pedro; there is one daughter, a beautiful, gentle but
rather weak lady named Ramona. The two young persons--Gonzalo and
Ramona--have grown up like brother and sister; their childish affection
has ripened into love, and at the beginning of the story they are
engaged to be married. Don Pedro is by far the richest man of all the
district. Don Miguel is also wealthy, but has seen with some jealousy
and dissatisfaction the constantly increasing difference between their
fortunes. This dissatisfaction, encouraged by a scheming lawyer, leads
to his claiming a worthless bit of property on the borders of his and
Don Pedro’s lands. The value of the land is but a trifle to either
party; but Don Pedro, sure that right is on his side, refuses to yield
to the unjust demands of his neighbor.
Don Miguel at first seizes the property by force, but is dispossessed by
Don Pedro’s tenants. The bitter feeling aroused by this incident leads
to a battle between two tenants of the two masters; both of the fighters
are thrown into jail. Carried into the courts, the boundary line is
infamously determined by a corrupted judge; a higher court reverses the
decision and Don Pedro is supported in his rights. Furious with anger,
Don Miguel seeks to injure his neighbor. Through a wicked scheme plotted
with the local authority, the tenant of Don Pedro, who has been in jail,
is assassinated. A great dam, which holds back a mighty volume of water
for driving mills, irrigating the property, etc., is damaged by Don
Miguel’s orders, with the idea that the inundation will ruin the
property of Don Pedro.
Throughout these various exciting incidents--seizure, dispossession,
law-suit, appeal, assassination and diabolical destruction--the love
affairs of the young people are naturally more or less disturbed. Having
carried things to such a climax, the author brings about a sudden
reconciliation and the story ends.
EXTRACTS FROM LA PARCELA.
“Good morning, _compadre_ Don Miguel,” said Don Pedro as soon as he
recognized the horseman who arrived.
“Good morning, _compadre_,” replied the newcomer, checking his horse and
dismounting.
The servant who accompanied him quickly dismounted from his horse and
went to hold, by the bridle, that of his master. Then he bent to remove
his master’s spurs.
Public-domain text, read in full here on John Shaqi.
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