The Goldwing came about handsomely, as she always did under fair
treatment: the boom went over to the starboard. The skipper then hauled
in the port, which had become the lee, sheet, as the sail went over. The
breeze was lively, and the boat worked quickly.
"Meet her, Ash," said Dory; and the helmsman threw the wheel over till
he could feel the pressure of the water on the rudder as the sails
filled.
"What do you mean by 'meet her'?" asked Archie.
"The helm was hard down when I gave that order," replied the skipper.
"If it had remained in that position, it would have been hard up after
the sails filled, and the sloop would have continued to swing around
till she was before the wind; and it would take time to get her back to
her proper course. As soon as the boat begins to catch the wind on the
new tack, the helm must be shifted to meet her. When the boat was on the
starboard-tack, all the pressure of the water was on the weather-side of
the rudder, as the Goldwing carries a weather-helm. As soon as the boat
begins to swing, this pressure is removed. There is none to speak of on
either side. But as soon as she begins to fill on the port-tack, the
pressure comes on that side."
"And you feel it the instant it begins to bear on the rudder," added
Ash.
"You want the sails to fill on the new tack, and she should be met with
the helm before she has fallen off much beyond her proper course. In a
light wind, when the boat moves sluggishly, she may fall off somewhat
before she feels the pressure on the rudder."
"She isn't on any thing, and I don't see how she can fall off," said
Archie, the critic.
"Yes, she is on something: she is on the wind, and she falls off when
she goes to leeward. As Ash says, he can feel the pressure as soon as
the sails fill; and we sail a boat quite as much by the feeling as by
the use of the eyes. Mr. Herschoff, who built the Sylph, is one of the
best boatmen in the country, and he is totally blind. Of course, he has
to work the boat entirely by the feeling; and those who have good eyes
do it largely in the same way. Practice alone can give you this skill."
"Thad said the keel and the rudder balanced the sails, and kept up a
sort of equilibrium," added Syl.
"That was quite right. When you see a fellow on a tight-rope in the
circus, with a long pole in his hands, you may observe that he keeps
lifting one end or the other. He throws the weight of the pole, the ends
of which are loaded with lead, to one side or the other to preserve his
balance. You shift the helm for the same reason. You can tell what the
boat is doing with your eyes shut after you get used to her. When a flaw
of wind comes, it throws a boat with a weather-helm up into the wind;
and if you were blindfolded, the tiller or the wheel would tell you all
about it."
"What do you do when the flaw comes?" asked Archie.
"Meet it with the helm if it is not too stiff for her."
"Suppose it is strong enough to capsize her if she keeps her course?"
Hop inquired.
Public-domain text, read in full here on John Shaqi.
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