Real Life In London, Volumes I. and II.: Or, The Rambles and Adventures of Bob Tallyho, Esq., and His Cousin, the Hon. Tom Dashall, Through the Metropolis; Exhibiting a Living Picture of Fashionable Characters, Manners, and Amusements in High and Low Life (1821)Badcock, John, active 1816-1830
General
Real Life In London, Volumes I. and II.: Or, The Rambles and Adventures of Bob Tallyho, Esq., and His Cousin, the Hon. Tom Dashall, Through the Metropolis; Exhibiting a Living Picture of Fashionable Characters, Manners, and Amusements in High and Low Life (1821)
Badcock, John, active 1816-1830
London (England) -- Social life and customs -- 19th century
from the repeated vociferations of those around them, of “Throw 'em
over--throw 'em over;” while the gifts of the Gods were plentifully
showered down upon the inhabitants of the lower regions in the shape
of orange-peelings, apples, &c. The drawing up of the curtain however
seemed to have some little effect upon the audience, and in a moment the
Babel of tongues was changed into a pretty general cry of “Down--down
in the front--hats off--silence, &c. which at length subsided in every
quarter but the Gallery, where still some mutterings and murmurings were
at intervals to be heard.
“----one fiddle will
Produce a tiny flourish still.”
Sparkle could neither see nor hear the performance--Tom was wholly
engaged in observing the company, and Bob alternately straining his neck
to get a view of the Stage, and then towards the noisy inhabitants of
the upper regions. “We dined at the Hummums,” said a finicking little
Gentleman just below him--“Bill, and I, and Harry--drank claret like
fishes--Harry was half-sprung--fell out with a Parson about chopping
logic; you know Harry's father was a butcher, and used to chopping,
so it was all prime--the Parson would'n't be convinced, though Harry
knock'd down his argument with his knuckles on the table, almost hard
enough to split it--it was a bang-up lark--Harry got in a passion,
doff'd his toggery, and was going to show fight--so then the Parson
sneak'd off--Such a bit of gig.'”
“Silence there, behind.”
“So then,” continued the Dandy, “we went to the Billiard-rooms, in Fleet
Street, played three games, diddled the Flats, bilk'd the Marker, and
bolted--I say, when did you see Dolly?”{1}
1 To the frequenters of Drury-lane Theatre, who occasionally
lounge away a little of their time between the acts in
sipping soda-water, negus, &c. the party here alluded to
cannot but be well known--we mean particularly the laffing-
boys and the lads of the village. We are aware that
fictitious names are assumed or given to the Ladies of
Saloon notoriety, originating in particular circum-stances,
and we have reason to believe that Dolly K----lly has been
so denominated from the propensity she almost invariably
manifests of painting, as remarked particularly by one of
the parties in conversation.
~136~~“Last night,” replied the other--“she'll be here
presently--d----nd fine girl, arn't she?”
“Very well,” said the first; “a nice plump face, but then she paints
so d--n--bly, I hate your painted Dollys, give me natural flesh and
blood--Polly H--ward for me.”
“Gallows Tom{1} will speak to you in plain terms if you trespass there,
my boy; you know he has out-general'd the Captain in that quarter, and
came off victorious, so----”
“Come,” said Sparkle, “let us adjourn into the Saloon, for, Heaven
knows, it is useless staying here.” And taking their arms, they
immediately left the Box.
Public-domain text, read in full here on John Shaqi.
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