Real Life In London, Volumes I. and II.: Or, The Rambles and Adventures of Bob Tallyho, Esq., and His Cousin, the Hon. Tom Dashall, Through the Metropolis; Exhibiting a Living Picture of Fashionable Characters, Manners, and Amusements in High and Low Life (1821)Badcock, John, active 1816-1830
General
Real Life In London, Volumes I. and II.: Or, The Rambles and Adventures of Bob Tallyho, Esq., and His Cousin, the Hon. Tom Dashall, Through the Metropolis; Exhibiting a Living Picture of Fashionable Characters, Manners, and Amusements in High and Low Life (1821)
Badcock, John, active 1816-1830
London (England) -- Social life and customs -- 19th century
Upon saying this, they entered the house, and found the improver of
spectacles and eye-glasses surrounded with the articles of his trade,
who, in a moment, recognized Tom as the chief instrument in quelling the
tumult, and added his acknowledgments to what had already been offered
for his successful exertions, assuring him at the same time, that as he
considered sight to be one of the most invaluable blessings “bestowed
on mankind, he had for many years devoted the whole of his time and
attention to the improvement of glasses--put into his hand a short
treatise on the subject, and on the important assistance which may be
afforded by a judicious selection of spectacles to naturally imperfect
or overstrained eyes. Bob, in the mean time, was amusing himself with
reading bills, pamphlets, and newspapers, which lay upon the counter.
Dashall listened with attention to his dissertation on sight,
spectacles, focusses, lens, reflection, refraction, &c.; but, as he
was not defective in the particular organs alluded to, felt but little
interested on the subject; selected what he really wanted, or rather
what etiquette required, when, to their great gratification, in came
Sparkle. After the first salutations were over, the latter purchased
an opera-glass; then, in company with Tom and Bob, proceeded to Oxford
Street, and upon learning their destination, determined also to take a
peep at the Exhibition.
“Come along,” said Tom, catching hold of his arm, and directing him
towards Soho Square. But Sparkle recollecting that he had appointed to
meet Miss Mortimer, her Brother, and Merry well, to accompany them to
Somerset House, and finding time had escaped with more ~233~~rapidity
than he expected, wished them a good morning, hoped they should meet
again in the course of the day, and departed.
“You see,” said Tom, “Sparkle is fully engaged in the business of love;
Miss Mortimer claims all his attention for the present.”
“You appear to be very envious of his enjoyments,” replied Bob.
“Not so, indeed,” continued Tom; “I am only regretting that other
pursuits have estranged him from our company.”
On entering the Exhibition at Soho, Tom, whose well-known taste for
science and art, and particularly for the productions of the pencil and
graver, had already rendered him conspicuous among those who knew him,
made the following remarks: “I am really glad,” said he, “to find that
the eminent engravers of our country have at length adopted a method of
bringing at one view before the public, a delineation of the progress
made by our artists in a branch so essentially connected with the
performance and durability of the Fine Arts. An Exhibition of this
kind is well calculated to dispel the vulgar error, that engraving is a
servile art in the scale of works of the mind, and mostly consigned to
the copyist. An Establishment of this kind has long been wanted, and is
deserving of extensive patronage.”
Public-domain text, read in full here on John Shaqi.
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