Real Life In London, Volumes I. and II.: Or, The Rambles and Adventures of Bob Tallyho, Esq., and His Cousin, the Hon. Tom Dashall, Through the Metropolis; Exhibiting a Living Picture of Fashionable Characters, Manners, and Amusements in High and Low Life (1821)Badcock, John, active 1816-1830
General
Real Life In London, Volumes I. and II.: Or, The Rambles and Adventures of Bob Tallyho, Esq., and His Cousin, the Hon. Tom Dashall, Through the Metropolis; Exhibiting a Living Picture of Fashionable Characters, Manners, and Amusements in High and Low Life (1821)
Badcock, John, active 1816-1830
London (England) -- Social life and customs -- 19th century
1 This church is perhaps unrivalled, for the beauty of the
architecture of its interior. For harmony of proportion,
grace, airiness, variety, and elegance, it is not to be
surpassed. It is a small church, built in the form of a
cross. The roof is supported by Corinthian columns, so
disposed as to raise an idea of grandeur, which the
dimensions of the structure do not seem to promise. Over the
centre, at which the principal aisles cross, is a dome
divided into compartments, the roof being partitioned in a
similar manner, and the whole finely decorated. The effect
of this build-ing is inexpressibly delightful; the eye at
one glance embracing a plan full and distinct, and
afterwards are seen a greater number of parts than the
spectator was prepared to expect. It is known and admired on
the Continent, as a master-piece of art. Over the altar is a
fine painting of the martyrdom of St. Stephen, by West.
~273~~ _chef d'ouvre_ of the same artist, and serves to display the
versatility of his genius.”
Instead however of looking up, Bob was looking over the way, where a
number of people, collected round a bookseller's window, had attracted
his attention.
“Apropos,” cried Dashall,--“The Temple of Apollo--we should have
overlook'd a fine subject, but for your remark--yonder is Tegg's Evening
Book Auction, let us cross and see what's going on. He is a fellow of
'infinite mirth and good humour,' and many an evening have I passed at
his Auction, better amused than by a farce at the Theatre.”
They now attempted to cross, but the intervening crowd of carriages,
three or four deep, and in a line as far as the eye could reach, for the
present opposed an obstacle.
“If I could think of it,” said Sparkle, “I'd give you the Ode on his
Birth-day, which I once saw in MS.--it is the _jeu d'esprit_ of a very
clever young Poet, and who perhaps one of these days may be better
known; but poets, like anatomical subjects, are worth but little till
dead.”
“And for this reason, I suppose,” says Tom, “their friends and patrons
are anxious they should rather be starved than die a natural death.”
“Oh! now I have it--let us remain in the Church-yard a few minutes,
while the carriages pass, and you shall hear it.”~274~~
“Ye hackney-coaches, and ye carts,
That oft so well perform your parts
For those who choose to ride,
Now louder let your music grow--
Your heated axles fiery glow--
Whether you travel quick or slow-
In Cheapside.
For know, “ye ragged rascals all,”
(As H----- would in his pulpit bawl
With cheeks extended wide)
Know, as you pass the crowded way,
This is the happy natal day
Of Him whose books demand your stay
In Cheapside.
Public-domain text, read in full here on John Shaqi.
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