Real Life In London, Volumes I. and II.: Or, The Rambles and Adventures of Bob Tallyho, Esq., and His Cousin, the Hon. Tom Dashall, Through the Metropolis; Exhibiting a Living Picture of Fashionable Characters, Manners, and Amusements in High and Low Life (1821)Badcock, John, active 1816-1830
General
Real Life In London, Volumes I. and II.: Or, The Rambles and Adventures of Bob Tallyho, Esq., and His Cousin, the Hon. Tom Dashall, Through the Metropolis; Exhibiting a Living Picture of Fashionable Characters, Manners, and Amusements in High and Low Life (1821)
Badcock, John, active 1816-1830
London (England) -- Social life and customs -- 19th century
“And what have they quarrelled about?” inquired Dashall.
“Jealousy, Sir, nothing else; that there man in the night-cap, with the
red ruff round his neck, is Sail's fancy man, and he sometimes lets
her have a cargo of fish for services done and performed, you
understand--and so Sail she comes down this morning, and she finds Poll
having a phililoo with him, that's all; but I wish they would go and
have it out somewhere else, for it spoils all business--Nance, go and
get us a quartern of Jacky, that I may ax these Gentlemen to drink, for
its a cold morning, and perhaps they are not used to be up so early.”
Tom saw the drift of this in a moment, and taking the hint, supplied the
needful to Nance, who was dispatched for the heart-cheering beverage,
which they could perceive was in high reputation by those around them.
The effluvia of the fish, the fumes of tobacco, and the reviving
scent of the gin-bottle, rendered their olfactory salutations truly
delightful. Nor could they escape the Fish-wife without becoming
participators in the half pint of blue ruin.
“Come,” said Tom, “we will now stroll a little further, and take a
survey of the street; but first we will give a look here.
“This,” said he, “is the Custom House, a splendid building recently
erected, in consequence of the old one being demolished by fire in
1814.” ~300~~ “It is, indeed,” replied Bob, admiring the south front,
which is executed in Portland stone.
“Do you observe,” continued Tom, “the central compartment, which
comprises what is called the Long Room, and which we will visit
presently, is quite plain, except the attic, which is elegantly
ornamented?--that alto-relievo contains allegorical representations of
the arts and sciences, as connected with and promoting the commerce
and industry of the nation--that to the west, a representation of
the costume and character of the various nations with whom we hold
intercourse in our commercial relations--in the centre, under the large
massive dial-plate, are inscribed in large bronze letters the names of
the founders and the date of its erection--the figures which support
the dial in a recumbent position are emblematical of industry and
plenty--that bold projection in the centre, gives a suitable character
to the King's warehouse, and forms an appropriate support to the
imperial arms upheld by the attributes of Ocean and Commerce.”
Bob gazed with admiration and delight on this truly admirable and
extensive pile of national architecture; the gentle breeze from the
river, the occasional dash of the oar, and the activity which appeared
on board the different vessels; together with the view of London Bridge
on one side, over which he could perceive pedestrians and vehicles
of various kinds passing and repassing, and the Tower on the other,
conspired to heighten and give a most imposing effect to the scene.
“The designs,” said Tallyho, “are truly creditable to the taste and
science of the architect.”
Public-domain text, read in full here on John Shaqi.
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