Real Life In London, Volumes I. and II.: Or, The Rambles and Adventures of Bob Tallyho, Esq., and His Cousin, the Hon. Tom Dashall, Through the Metropolis; Exhibiting a Living Picture of Fashionable Characters, Manners, and Amusements in High and Low Life (1821)Badcock, John, active 1816-1830
General
Real Life In London, Volumes I. and II.: Or, The Rambles and Adventures of Bob Tallyho, Esq., and His Cousin, the Hon. Tom Dashall, Through the Metropolis; Exhibiting a Living Picture of Fashionable Characters, Manners, and Amusements in High and Low Life (1821)
Badcock, John, active 1816-1830
London (England) -- Social life and customs -- 19th century
“It is built of brick; and that part which contains the state
apartments, being only one story high, gives it a regular appearance
outside. The State-rooms are commodious and handsome, although there is
nothing very superb or grand in the decorations or furniture.
“The entrance to these rooms is by a stair-case which opens into the
principal court, which you now see. At the top of the stair-case are
two rooms; one on the left, called the Queen's, and the other the King's
Guard-room, leading to the State-apartments. Immediately beyond the
King's Guard-room is the Presence-chamber, which contains a canopy,
and is hung with tapestry; and which is now used as a passage to the
principal rooms.
“There is a suite of five rooms opening into each other successively,
fronting the Park. The Presence-chamber opens into the centre room,
which is denominated the Privy-chamber, in which is a canopy of
flowered-crimson velvet, generally made use of for the King to receive
the Quakers.
“On the right are two drawing-rooms, one within the other. At the upper
end of the further one, is a throne with a splendid canopy, on which the
Kings have been accustomed to receive certain addresses. This is called
the Grand Drawing-room, and is used by the King and Queen on certain
state occasions, the nearer room being appropriated as a kind of
ante-chamber, in which the nobility, &c. are permitted to remain while
their Majesties are present in the further room, and is furnished with
stools, sofas, &c. for the purpose. There are two levee-rooms on the
left of the privy-chamber, on entering from the King's guard-room and
presence-chamber, the nearer one serving as an ante-chamber to the
other. They were all of them, formerly, meanly furnished, but at the
time of the marriage of our present King, they were elegantly fitted
up. The walls are now covered with tapestry, very beautiful, and of rich
colours--tapestry which, although it ~73~~was made for Charles II. had
never been used, having by some accident lain unnoticed in a chest, till
it was discovered a short time before the marriage of the Prince.
“The canopy of the throne was made for the late-Queen's birth-day, the
first which happened after the union of Great Britain and Ireland. It
is made of crimson velvet, with very broad gold lace, embroidered with
crowns set with fine and rich pearls. The shamrock, emblematical of the
Irish nation, forms a part of the decorations of the British crown, and
is executed with great taste and accuracy.
“The grand drawing-room contains a large, magnificent chandelier of
silver, gilt, but I believe it has not been lighted for some years; and
in the grand levee-room is a very noble bed, the furniture of which is
of Spitalfields manufacture, in crimson velvet. It was first put up with
the tapestry, on the marriage of the present King, then Prince of Wales.
Public-domain text, read in full here on John Shaqi.
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