"You are joking, Becky!" faltered Emma Jane, looking up from her work. "Not a bit; the senior editor read it and thought it highly instructive; it appears in the next issue." "Not in the same number with your poem about the golden gates that close behind us when we leave school?"--and Emma Jane held her breath as she awaited the reply. "Even so, Miss Perkins." "Rebecca," said Emma Jane, with the nearest approach to tragedy that her nature would permit, "I don't know as I shall be able to bear it, and if anything happens to me, I ask you solemnly to bury that number of The Pilot with me." Rebecca did not seem to think this the expression of an exaggerated state of feeling, inasmuch as she replied, "I know; that's just the way it seemed to me at first, and even now, whenever I'm alone and take out the Pilot back numbers to read over my contributions, I almost burst with pleasure; and it's not that they are good either, for they look worse to me every time I read them." "If you would only live with me in some little house when we get older," mused Emma Jane, as with her darning needle poised in air she regarded the opposite wall dreamily, "I would do the housework and cooking, and copy all your poems and stories, and take them to the post-office, and you needn't do anything but write. It would be perfectly elergant!" "I'd like nothing better, if I hadn't promised to keep house for John," replied Rebecca. "He won't have a house for a good many years, will he?" "No," sighed Rebecca ruefully, flinging herself down by the table and resting her head on her hand. "Not unless we can contrive to pay off that detestable mortgage. The day grows farther off instead of nearer now that we haven't paid the interest this year." She pulled a piece of paper towards her, and scribbling idly on it read aloud in a moment or two:-- "Will you pay a little faster?" said the mortgage to the farm; "I confess I'm very tired of this place." "The weariness is mutual," Rebecca Randall cried; "I would I'd never gazed upon your face!" "A note has a 'face,'" observed Emma Jane, who was gifted in arithmetic. "I didn't know that a mortgage had." "Our mortgage has," said Rebecca revengefully. "I should know him if I met him in the dark. Wait and I'll draw him for you. It will be good for you to know how he looks, and then when you have a husband and seven children, you won't allow him to come anywhere within a mile of your farm." The sketch when completed was of a sort to be shunned by a timid person on the verge of slumber. There was a tiny house on the right, and a weeping family gathered in front of it. The mortgage was depicted as a cross between a fiend and an ogre, and held an axe uplifted in his red right hand. A figure with streaming black locks was staying the blow, and this, Rebecca explained complacently, was intended as a likeness of herself, though she was rather vague as to the method she should use in attaining her end.