Recently Recovered "Lost" Tudor Plays with some others
History
Recently Recovered "Lost" Tudor Plays with some others
English drama -- Early modern and Elizabethan, 1500-1600; Interludes, English; Moralities, English
WEALTH AND HEALTH is one of the recently recovered "lost" plays
(see Preface), and is of unknown authorship. The text is given
on pp. 273-309, from a photograph copy of the original now in
the British Museum, together with a reduced facsimile of the
title-page. The B.M. entry is--
WEALTH. An enterlude of Welth and Helth, very mery and full of
pastyme, newly att his [_i.e._ _att this_] tyme imprinted. B.
L. [London, 1565?] 4^o. [C.34,i.25.
The collation is sixteen leaves, Ai (title with back blank) to
Div. in 4s. The play is wretchedly printed on very thin paper,
and simply bristles with printer's errors. I have taken no heed
of most of these in the present text which I have collated
twice with the old copy. I think I have succeeded in producing
a substantially correct version of the original, any specially
doubtful point being noted _infra_. This, however, must be taken
with one reservation--so far as the state of the typography
would allow I have given the Dutch and Spanish jargon exactly
as it appears in the old text. It was simply impossible to
make sense out of it. Many of the words have no resemblance
to anything in Dutch. It was submitted to Dutch and German
scholars to no effect. The sense occasionally can be gleaned--for
example, that Hance was a drunken Hollander who wanted to get an
engagement as gunner by the English. But the whole is evidently
a caricature of Dutch, with which the author obviously had no
acquaintance beyond a few scattered words, and the "patter" was
put in simply to tickle the ears of the groundlings. As regards
date, the British Museum Catalogue suggests "? 1565" for this
recovered copy; but Hazlitt states that the play was licensed
in 1557-8, and printed by John Waley in 1558. There is little
internal evidence to help to a decision. Hance (300,_c_) says
he has been in England "this darteen (thirteen) year," and if
we deduct this from 1557-8 we get 1544-5, which is close enough
to the times of Anne of Cleves (1540), the "Flander's mare" of
Henry VIII., to suggest that the play may have been written
and played a year or two earlier than the date of its entry at
Stationers' Hall. There are two references to the Sovereign
(301,_b_ and 308,_d_), Queen Elizabeth, who succeeded 17th Nov.
1558, but these allusions do not, of course, reveal anything.
_Corrigenda, Amended Readings, etc._: Title-page (274), a
reduced facsimile being given (273), direct comparison may be
made: though very indistinct, there are traces of the lines of
a written inscription on the lower half of the page--_Names
of Players_ (275 _et seq._), these are given in margin; in
places dropped a little out of line, but nowhere so that the
commencement of the speech is not easily identified--"praise
yourself _too_ much ye may" (276,_a_), original _so_--"_Yet_ no
Public-domain text, read in full here on John Shaqi.
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