Witticisms. See Anecdotes and sayings Work always a pleasure, 90-91; as a decorator, 128-135; colors and pigments used, 72-73; description of method, 231-237; exhibition to visitors, 133-135; facility in execution, 23; his attitude towards a sitter, 238-239, 241; painting in the dark, 213-214; volume of, 104-105 Yellow Buskin,” “The, 119, 256 THE END FOOTNOTES: [1] Mr. A. Lindenkohl, now the oldest draughtsman in the department. [2] G. W. Smalley, in the London _Times_. [3] _The Nation_, vol. liv., pp. 280-281, April 14, 1892. [4] New York _Tribune_, July 26, 1903. [5] New York _Evening Post_, August 1, 1903. [6] _Fortnightly Review_, June, 1888. [7] _The Independent_, November 2, 1899. [8] Major W. L. B. Jenney, in the _American Architect_, January 1, 1898. [9] Wedmore, Fine Prints, p. 103. [10] Wedmore’s Catalogue, pp. 19-20. [11] Printed by H. Wunderlich & Co., New York. [12] W. S. Adams, in the Springfield _Republican_. [13] _McClure’s Magazine_, vol. vii. p. 374. [14] _Knowledge_, April 5, 1883, p. 208. [15] _The Academy_, February 24, 1883, p. 139. [16] _Knowledge_, April 6, 1883, pp. 208, 209. [17] Owned by Frank Gair Macomber, Esq., of Boston. [18] Gentle Art, p. 116. [19] Life of Carlyle, First Forty Years, vol. ii., pp. 345-6. [20] _McClure’s Magazine_, vol. vii. p. 374. [21] _McClure’s Magazine_, vol. vii. p. 374. [22] G. W. Smalley, in the London _Times_. Reprinted in the New York _Tribune_, August 19, 1903. [23] _Harper’s Weekly_, August 1, 1903. [24] _Library Gazette_, May 14, 1842 p. 331. [25] _Athenæum_, May 14, 1842, p. 433. [26] See opening paragraph of Chapter II. of the first and second editions of the first volume of “Modern Painters.” [27] John Ruskin, by Spielmann, p. 34. [28] Modern Painters, vol. iii., chap. xvii., paragraph 18. [29] _Saturday Review_, March 26, 1892, p. 357. [30] Moore, Modern Painting, p. 6. [31] _The Critic_, vol. xxxviii. p. 32, January, 1901. [32] Gentle Art, p. 126. [33] Gentle Art, pp. 127, 128. [34] Ibid., p. 128. [35] Helmholtz, Sensations of Tone, p. 265. [36] Fleming, Waves and Ripples in Water, Air, and Æther, p. 252. [37] Physiological Optics, p. 237. [38] Modern Painters, vol. i., part ii., sec. i., chap. v., par. 3. [39] Modern Painters, vol. i., part ii., sec. i., chap. v., par. 8, 9. [40] Ibid., sec. ii., chap. ii., par. 12. [41] Modern Painters, vol. i., part ii., sec. ii., chap. ii., par. 17, 20. [42] Gentle Art, p. 128. [43] Gentle Art, pp. 143, 144. [44] Gentle Art, p. 143. [45] London _Times_, July 18, 1903. [46] Gentle Art, pp. 177, 178. [47] E. S. Crawford, in _The Reader_, September, 1903. [48] See page 185.