Recollections and impressions of James A. McNeill WhistlerEddy, Arthur Jerome
General
Recollections and impressions of James A. McNeill Whistler
Eddy, Arthur Jerome
Painters -- United States -- 19th century -- Biography; Whistler, James McNeill, 1834-1903
“The street runs down upon the river, which I suppose you might see
by stretching out your head from the front window, at a distance of
fifty yards on the left. We are called ‘Cheyne Row’ proper
(pronounced _Chainie_ Row), and are a ‘genteel neighborhood;’ two
old ladies on one side, unknown character on the other, but with
‘pianos.’ The street is flag pathed, sunk storied, iron railed, all
old-fashioned and tightly done up; looks out on a rank of sturdy
old _pollarded_ (that is, beheaded) lime-trees, standing there like
giants in _tawtie_ wigs (for the new boughs are still young);
beyond this a high brick wall; backwards a garden, the size of our
back one at Comely Bank, with trees, etc., in bad culture; beyond
this green hayfields and tree avenues, once a bishop’s
pleasure-grounds, an unpicturesque yet rather cheerful outlook. The
house itself is eminent, antique, wainscoted to the very ceiling,
and has been all new painted and repaired; broadish stair with
massive balustrade (in the old style), corniced and as thick as
one’s thigh; floors thick as a rock, wood of them here and there
worm-eaten, yet capable of cleanness, and still with thrice the
strength of a modern floor. And then as to rooms, Goody! Three
stories beside the sunk story, in every one of them three
apartments, in depth something like forty feet in all--a front
dining-room (marble chimney-piece, etc.), then a back dining-room
or breakfast-room, a little narrower by reason of the kitchen
stairs; then out of this, and narrower still (to allow a back
window, you consider), a china-room or pantry, or I know not what,
all shelved and fit to hold crockery for the whole street. Such is
the ground area, which, of course, continues to the top, and
furnishes every bedroom with a dressing-room or second bedroom; on
the whole a most massive, roomy, sufficient old house, with places,
for example, to hang, say, three dozen hats or cloaks on, and as
many crevices and queer old presses and shelved closets (all tight
and new painted in their way) as would gratify the most covetous
Goody,--rent, thirty-five pounds! I confess I am strongly tempted.
Chelsea is a singular heterogeneous kind of spot, very dirty and
confused in some places, quite beautiful in others, abounding with
antiquities and the traces of great men,--Sir Thomas More, Steele,
Smollett, etc. Our row, which for the last three doors or so is a
street, and none of the noblest, runs out upon a ‘Parade’ (perhaps
they call it), running along the shore of the river, a broad
highway with huge shady trees, boats lying moored, and a smell of
shipping and tar. Battersea Bridge (of wood) a few yards off; the
broad river, with white-trowsered, white-shirted Cockneys dashing
Public-domain text, read in full here on John Shaqi.
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