The Castle stands nobly, overlooking the Clyde. When we came up to it I
was hurt to see that flower-borders had taken place of the natural
overgrowings of the ruin, the scattered stones and wild plants. It is a
large and grand pile, of red freestone, harmonizing perfectly with the
rocks of the river, from which, no doubt, it has been hewn. When I was a
little accustomed to the unnaturalness of a modern garden, I could not
help admiring the excessive beauty and luxuriance of some of the plants,
particularly the purple-flowered clematis, and a broad-leaved creeping
plant without flowers, which scrambled up the castle wall along with the
ivy, and spread its vine-like branches so lavishly that it seemed to be
in its natural situation, and one could not help thinking that, though
not self-planted among the ruins of this country, it must somewhere have
its natural abode in such places. If Bothwell Castle had not been close
to the Douglas mansion we should have been disgusted with the possessor’s
miserable conception of ‘adorning’ such a venerable ruin; but it is so
very near to the house that of necessity the pleasure-grounds must have
extended beyond it, and perhaps the neatness of a shaven lawn and the
complete desolation natural to a ruin might have made an unpleasing
contrast; and besides, being within the precincts of the
pleasure-grounds, and so very near to the modern mansion of a noble
family, it has forfeited in some degree its independent majesty, and
becomes a tributary to the mansion; its solitude being interrupted, it
has no longer the same command over the mind in sending it back into past
times, or excluding the ordinary feelings which we bear about us in daily
life. We had then only to regret that the castle and house were so near
to each other; and it was impossible not to regret it; for the ruin
presides in state over the river, far from city or town, as if it might
have had a peculiar privilege to preserve its memorials of past ages and
maintain its own character and independence for centuries to come.
Public-domain text, read in full here on John Shaqi.
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