France -- Description and travel; France -- Social life and customs
We might have been in the gallery fifteen minutes, when there was a stir
at a door on the side where the females were seated, and a _huissier_
cried out--"Madame la Dauphine!" and, sure enough, the Dauphine
appeared, followed by two _dames d'honneur_. She walked quite through
the gallery, across the area reserved for the court, and passed out at
the little gate in the railing which communicated with our side of the
room, leaving the place by the same door at which we had entered. She
was in high court dress, with diamonds and lappets, and was proceeding
from her own apartments, in the other wing of the palace, to those of
the king. As she went within six feet of me, I observed her hard and yet
saddened countenance with interest; for she has the reputation of
dwelling on her early fortunes, and of constantly anticipating evil. Of
course she was saluted by all in passing, but she hardly raised her eyes
from the floor; though, favoured by my position, I got a slight,
melancholy smile, in return for my own bow.
The Dauphine had scarcely disappeared, when her Royal Highness, Madame,
was announced, and the Duchess of Berri went through in a similar
manner. Her air was altogether less constrained, and she had smiles and
inclinations for all she passed. She is a slight, delicate, little
woman, with large blue eyes, a fair complexion, and light hair. She
struck me as being less a Bourbon than an Austrian, and, though wanting
in _embonpoint_, she would be quite pretty but for a cast in one of her
eyes.
A minute or two later, we had Monseigneur le Dauphin, who passed through
the gallery in the same manner as his wife and sister-in-law. He had
been reviewing some troops, and was in the uniform of a colonel of the
guards; booted to the knees, and carrying a military hat in his hand. He
is not of commanding presence, though I think he has the countenance of
an amiable man, and his face is decidedly Bourbon. We were indebted to
the same lantern like construction of the palace, for this preliminary
glimpse at so many of the actors in the coming scene.
Public-domain text, read in full here on John Shaqi.
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