Records, Historical and Antiquarian, of Parishes Round HorncastleWalter, J. Conway (James Conway)
History
Records, Historical and Antiquarian, of Parishes Round Horncastle
Walter, J. Conway (James Conway)
Parishes -- England -- Horncastle -- History
Hameringham church, All Saints, stands appropriately on almost the
highest ground in the vicinity, so that the parishioners may look, and
wend, upward to it. It was restored by the present Rector, the Rev.
Brice Smith, in 1894, the architect being Mr. Hodgson Fowler. It now
consists of nave, chancel, and south aisle. It has, doubtless, gone
through vicissitudes at various periods, as is evidenced by remains and
records. In 1800 there was no chancel in existence. In 1820 a chancel
was built by the then Rector, the Rev. Joseph Coltman. There was at one
time a much larger edifice, of which the foundations were discovered by
the present Rector, in preparing for the restoration. The chancel arch
is Early English. The west window is modern, perpendicular in style. In
the north wall of the nave is one window, perpendicular, of three lights,
near the pulpit. The pulpit is of plain oak, with the old hour glass
frame still affixed to it, and containing an ancient hour glass,
recovered from a villager. These remnants of the days of long discourses
are now very rare. There is still one in the church at Cowden, near
Edenbridge, Kent. The arcade of the south aisle is of the 13th century,
renewed in the 14th century with Lincoln stone. It consists of three
bays, with two octagonal pillars having carved capitals; the eastern-most
support is a circular, single, small shaft, apparently Norman, with
carved capital, different from the others; where the moulding of the two
eastern arches meet, the corbel is a King’s head; these two arches are
considerably broader than the western one, which is pointed. This
western pillar is the original 13th century one. The south wall is of
the late 12th century, and the south porch arch is the original. In the
south wall are two windows east of the porch, and one west of it, each
having two lights, and a quatrefoil above, style perpendicular. There is
a piscina near the door. The roof of the restored nave is of modern
pitch pine. The chancel roof is considerably below the chancel arch. It
is apparently of wood, and has formerly been divided into panels. The
chancel is so long, that the communion table is placed 7 or 8 feet west
of the east wall, and the space behind, shut off by drapery, forms a
vestry. The east window, in perpendicular style, is of 3 lights, with
six smaller lights above, within the arch. The font is a very old and
interesting one, octagonal, on an octagonal shaft; the devices,
quatrefoils, &c., on the faces of the bowl are much mutilated, those on
the shaft are perpendicular mouldings on 5 sides, and on the three other
sides are grotesque figures, much mutilated, the centre one being winged,
and supposed to represent St. Michael. It stands on a plain oblong slab.
There is one good medieval bell, the other being the “Sanctus bell,”
re-cast in the Jubilee year 1887, as it had become cracked. The entire
church is built of Spilsby green sandstone, faced in the porch with red
Public-domain text, read in full here on John Shaqi.
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