I have a general
impression that his personal intercourse gave a far better idea of his
intellectual ability than anything that he achieved either in his
profession or in letters.
His conversation was extremely vivid and sparkling, and the quaint
eccentricity of his manner added to the impression of originality which
he produced upon one. Very unlike the common run of people as he was,
however, he was far less so than his wife, who certainly was one of the
most striking and remarkable persons I have known. Her appearance was
extraordinary: she was much above middle height, with a beautiful figure
and face, the outline of which was of classical purity and severity,
while her whole carriage and appearance was dignified and majestic to
the highest degree. I knew her for upwards of thirty years, and never
saw her depart from a peculiar style of dress, which she had adopted
with the finest instinct of what was personally becoming as well as
graceful and beautiful in itself. She was so superior in this point to
her sex generally, that, having found that which was undoubtedly her own
proper individual costume, she never changed the fashion of it. Her
dress deserved to be called (what all dress should be) a lesser fine
art, and seemed the proper expression in clothes of her personality, and
really a part of herself. It was a long, open robe, over an underskirt
of the same material and color (always moonlight silver gray, amethyst
purple, or black silk or satin of the richest quality), trimmed with
broad velvet facings of the same color, the sleeves plain and tight
fitting from shoulder to wrist, and the bosom covered with a fine lace
half-body, which came, like the wimple of old mediaeval portraits, up
round her throat, and seemed to belong in material and fashion to the
clear chin-stay which followed the noble contour of her face, and the
picturesque cap which covered, without concealing, her auburn hair and
the beautiful proportions of her exquisite head.
Public-domain text, read in full here on John Shaqi.
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