My dear H----, I am going on the stage: the nearest period talked
of for my _debut_ is the first of October, at the opening of the
theater; the furthest, November; but I almost think I should prefer
the nearest, for it is a very serious trial to look forward to, and
I wish it were over. Juliet is to be my opening part, but not to my
father's Romeo; there would be many objections to that; he will do
Mercutio for me. I do not enter more fully upon this, because I
know how few things can be of interest to you in your present state
of feeling, but I wished you not to find the first notice of my
entrance on the stage of life in a newspaper. God bless you,
dearest H----, and grant you better hopes.
Your most affectionate
FANNY.
My father not acting Romeo with me deprived me of the most poetical and
graceful stage lover of his day; but the public, who had long been
familiar with his rendering of the part of Romeo, gained as much as I
lost, by his taking that of Mercutio, which has never since been so
admirably represented, and I dare affirm will never be given more
perfectly. The graceful ease, and airy sparkling brilliancy of his
delivery of the witty fancies of that merry gentleman, the gallant
defiance of his bearing toward the enemies of his house, and his
heroically pathetic and humorous death-scene, were beyond description
charming. He was one of the best Romeos, and incomparably _the_ best
Mercutio, that ever trod the English stage.
My father was Miss O'Neill's Romeo throughout her whole theatrical
career, during which no other Juliet was tolerated by the English
public. This amiable and excellent woman was always an attached friend
of our family, and one day, when she was about to take leave of me, at
the end of a morning visit, I begged her to let my father have the
pleasure of seeing her, and ran to his study to tell him whom I had with
me. He followed me hastily to the drawing-room, and stopping at the
door, extended his arms towards her, exclaiming, "Ah, Juliet!" Lady
Becher ran to him and embraced him with a pretty, affectionate grace,
and the scene was pathetical as well as comical, for they were both
white-haired, she being considerably upward of sixty and he of seventy
years old; but she still retained the slender elegance of her exquisite
figure, and he some traces of his pre-eminent personal beauty.
Public-domain text, read in full here on John Shaqi.
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