The part of Romeo was given to Mr. Abbot, an old-established favorite
with the public, a very amiable and worthy man, old enough to have been
my father, whose performance, not certainly of the highest order, was
nevertheless not below inoffensive mediocrity. But the public, who were
bent upon doing more than justice to me, were less than just to him; and
the abuse showered upon his Romeo, especially by my more enthusiastic
admirers of the male sex, might, I should think, have embittered his
stage relations with me to the point of making me an object of
detestation to him, all through our theatrical lives. A tragicomic
incident was related to me by one of the parties concerned in it, which
certainly proved that poor Mr. Abbot was quite aware of the little favor
his Romeo found with my particular friends. One of them, the son of our
kind and valued friends the G----s, an excellent, good-hearted, but not
very wise young fellow, invariably occupied a certain favorite and
favorable position in the midst of the third row of the pit every night
that I acted. There were no stalls or reserved seats then, though not
long after I came out the majority of the seats in the orchestra were
let to spectators, and generally occupied by a set of young gentlemen
whom Sir Thomas Lawrence always designated as my "body guard." This,
however, had not yet been instituted, and my friend G---- had often to
wait long hours, and even to fight for the privilege of his peculiar
seat, where he rendered himself, I am sorry to say, not a little
ludicrous, and not seldom rather obnoxious to everybody in his vicinity,
by the vehement demonstrations of his enthusiasm--his frantic cries of
"bravo," his furious applause, and his irrepressible exclamations of
ecstasy and agony during the whole play. He became as familiar to the
public as the stage lamps themselves, and some of his immediate
neighbors complained rather bitterly of the incessant din and clatter of
his approbation, and the bruises, thumps, contusions, and constant fears
which his lively sentiments inflicted upon them. This _fanatico_ of
mine, walking home from the theater one night with two other like-minded
individuals, indulged himself in obstreperous abuse of poor Mr. Abbot,
in which he was heartily joined by his companions. Toward Cavendish
Square the broad, quiet streets rang with the uproarious mirth with
which they recapitulated his "damnable faces," "strange postures,"
uncouth gestures, and ungainly deportment; imitation followed imitation
of the poor actor's peculiar declamation, and the night became noisy
with the shouts of mingled derision and execration of his critics; when
suddenly, as they came to a gas-light at the corner of a crossing, a
solitary figure which had been preceding them, without possibility of
escape, down the long avenue of Harley Street, where G---- lived, turned
abruptly round, and confronted them with Mr. Abbot's unimpressive
countenance.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account