CHAPTER XII.
It was years after these events that Lawrence, meeting my father
accidentally in the street one day, stopped him and spoke with great
feeling of his sympathy for us all in my approaching trial, and begged
permission to come and see my mother and become acquainted with me,
which he accordingly did; and from that time till his death, which
occurred but a few months later, he was unwearied in acts of friendly
and affectionate kindness to me. He came repeatedly to consult with my
mother about the disputed point of my dress, and gave his sanction to
her decision upon it. The first dress of Belvidera, I remember, was a
point of nice discussion between them. Plain black velvet and a
lugubrious long vail were considered my only admissible wear, after my
husband's ruin; but before the sale of our furniture, it was conceded
that I might relieve the somber Venetian patrician's black dress with
white satin puffs and crimson linings and rich embroidery of gold and
pearl; moreover, before our bankruptcy, I was allowed (not, however,
without serious demur on the part of Lawrence) to cover my head with a
black hat and white feather, with which, of course, I was enamored,
having never worn anything but my hair on my head before, and feeling an
unspeakable accession of dignity in this piece of attire. I begged hard
to be allowed to wear it through the tragedy, but this, with some
laughter at my intense desire for it, was forbidden, and I was reduced
after the first scene of the play to my own unadorned locks, which I
think greatly strengthened my feeling of the abject misery into which I
had fallen.
When in town, Lawrence never omitted one of my performances, always
occupying the stage box, and invariably sending me the next morning a
letter, full of the most detailed and delicate criticism, showing a
minute attention to every inflection of my voice, every gesture, every
attitude, which, combined with expressions of enthusiastic admiration,
with which this discriminating and careful review of my performance
invariably terminated, was as strong a dose of the finest flattery as
could well have been offered to a girl of my age, on the very first step
of her artistic career. I used to read over the last of these remarkable
criticisms, invariably, before going to the theater, in order to profit
by every suggestion of alteration or hint of improvement they contained;
and I was in the act of reperusing the last I ever received from him,
when my father came in and said, "Lawrence is dead."
Public-domain text, read in full here on John Shaqi.
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