Proceeding three quarters of a mile further southward, and passing Martin Hall, we turn up a lane to the right and find the church of Martin, St. Michael’s, in a secluded spot, like many a flower born to blush unseen. Yet it is worthy of a visit, having features of more than ordinary interest, which were well preserved on its partial restoration in 1869, and again by the late W. J. Gilliatt, of the Hall, and his sisters, in 1877. For many years it was a thatched edifice, but now has a slated roof. The south doorway is Early Norman, with broad, receding semi-circular arch, with a double band of zigzag moulding; on each side, Norman columns, with, quaint heads as capitals. The church is entered by two descending steps. The font is modern, Norman in style, the bowl having eight semi-circular fluttings, being supported by eight columns raised on a stone pediment. The west window is filled with good modern glass from Munich. The central subject is the Saviour’s body being taken down from the Cross; the left subject is the Saviour bearing His Cross; the right, the body being borne away. This was a memorial, placed in the church by Miss Spalding, of Lincoln, commemorative of the Rev. J. B. Smith, D.D., the rector, who, in returning from paying her a visit at Lincoln, fell out of his railway carriage at Kirkstead and broke his neck, although, strange to say, he lived for several weeks afterwards. {204} In the north wall of the nave is a plain arched Easter sepulchre, which was probably the founder’s tomb. The pulpit is of Caen stone, plain, and massive; behind it is a curious semi-circular recess, in the east wall. The chancel arch is Early English, and very narrow, only 3ft. 9in. in width, which makes the chancel very dark, an effect further increased by the great thickness, 3ft. 4in., of the chancel arch wall. The east window has two trefoiled lights, small and narrow, their total width only 2ft. 3in. In the south wall of the chancel are two deeply-recessed small square-headed windows, partly built up, and having a stone seat at the base, but too high for use. There are several flat tombstones of Hughsons and Oldhams in the floor. The Early Norman doorway and the massive chancel arch wall and gloomy chancel are the special features of this interesting little church. At the time of the restoration, in 1877, the original large altar slab, decorated with four crosses, was found in the floor, face downwards. It was taken, up, and now forms the base, or däis, of the Communion table. The Parish Register commences with 1562. Under the year 1649 occurs this entry:—“This yeare ye lordship of Marton was inclosed; no consent of Bishop or Rector.” The unusual name, “Ingelo,” specially known in connection with the poem, “The Bells of Enderby,” occurs frequently in the Registers from 1673 downwards. The names of Norreys Fynes, and other members of the family, resident at White-Hall, in this parish, occur frequently. There is an