Poetry, which, though not dead, had long been sleeping in Scotland, was restored to waking life by THOMSON. His genius was national; and so, too, was the subject of his first and greatest song. By saying that his genius was national, we mean that its temperament was enthusiastic and passionate, and that, though highly imaginative, the sources of its power lay in the heart. "The Castle of Indolence" is distinguished by purer taste and finer fancy; but with all its exquisite beauties, that poem is but the vision of a dream. "The Seasons" are glorious realities; and the charm of the strain that sings the "rolling year" is its truth. But what mean we by saying that "The Seasons" are a national subject?--do we assert that they are solely Scottish? That would be too bold, even for us; but we scruple not to assert, that Thomson has made them so, as far as might be without insult, injury, or injustice, to the rest of the globe. His suns rise and set in Scottish heavens; his "deep-fermenting tempests are brewed in grim evening" Scottish skies; Scottish is his thunder of cloud and cataract; his "vapours, and snows, and storms" are Scottish; and, strange as the assertion would have sounded in the ears of Samuel Johnson, Scottish are his woods, their sugh, and their roar; nor less their stillness, more awful amidst the vast multitude of steady stems, than when all the sullen pine-tops are swinging to the hurricane. A dread love of his native land was in his heart when he cried in the solitude-- "Hail, kindred glooms! congenial horrors, hail!" The genius of HOME was national--and so, too, was the subject of his justly famous Tragedy of "Douglas." He had studied the old Ballads; their simplicities were sweet to him as wallflowers on ruins. On the story of Gill Morice, who was an Earl's son, he founded the Tragedy, which surely no Scottish eyes ever witnessed without tears. Are not these most Scottish lines?-- "Ye woods and wilds, whose melancholy gloom Accords with my soul's sadness!" And these even more so,-- "Red came the river down, and loud and oft The angry Spirit of the water shriek'd!" The Scottish Tragedian in an evil hour crossed the Tweed, riding on horseback all the way to London. His genius got Anglified, took a consumption, and perished in the prime of life. But nearly half a century afterwards, on seeing the Siddons in _Lady Randolph_, and hearing her low, deep, wild, woe-begone voice exclaim, "My beautiful! my brave!" "the aged harper's soul awoke," and his dim eyes were again lighted up for a moment with the fires of genius--say rather for a moment bedewed with the tears of sensibility re-awakened from decay and dotage.