Rung in by the grave music of their invitation, St. John and Esther
enter. Verger or pew-opener is there none, so they slip into the first
of the open sittings that presents itself. The clergyman is young and
energetic: he has rooted up the tall, worm-eaten, oak pews--disfiguring
compromises between cattle-pen and witness-box--has clothed several
"Dear little souls
In nice white stoles,--"
and is trying to teach himself intoning. He produces at present only
prolonged whining groans, but it is a step in the right direction.
Rest is good after exertion, and so Essie thinks. The south wind has
been playing tricks with the dusk riches of her hair. Nature has been
laying on her bistre under the great liquid eyes, and emptying a whole
potful of her rouge on the rose velvet round of her cheeks. She is not
in apple-pie order at all, and yet
"She was most beautiful to see,
Like a lady from a far countree."
If Esther were to murder any one, and her guilt were to be brought home
to her as plainly as the eye of day shines in the sky at noon, judge
and jury would combine to acquit her.
"Blessed be God, who has made beautiful women!" says the Bedouin, and
Gerard echoes the benediction, as he stands with his big lavender thumb
on one side of the hymn book, and her small, lavender thumb on the
other, while the "dear little souls" are singing sweetly and quickly:
"There God for ever sitteth,
Himself of all the Crown;
The Lamb, the Light that shineth,
And goeth never down."
Grand words, that make one feel almost good and almost happy merely to
say them!
There is only one hymn-book in the pew, and St. John is glad of it.
There is something pleasant in the sense of union and partnership,
though it be only a three minutes' partnership in a dog's-eared psalter.
"Is not there some different way of going home?" asks Essie, as they
stand side by side, after service, in the high churchyard, looking
down on the straggling damson trees, the grey smoke spiring northwards
under the south wind's faint blowing, the dark-blue green of the turnip
fields. "I hate going back the same way one came; it shows such a want
of invention!"
"There is another way," answers St. John, scooping out a little plump
green moss from a chink in the wall with the point of his umbrella,
while the parson and the parson's sister, on their homeward way, turn
their heads to look at them--the parson at Esther, the parson's sister
at St. John--Jack at Jill, and Jill at Jack as is the way of the world;
"but it is a good deal longer and a great deal muddier than the one we
came by."
"I like mud," says Essie, gaily, stooping and picking a daisy from a
little child's grave at her feet; "it is my native element; at home we
are up to our knees in mud in winter, and over our ankles in summer."
So they chose the longer and the muddier way. It is its length that is
its recommendation to them both, I think.
Public-domain text, read in full here on John Shaqi.
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