St. John knocks at the half-open door and puts his head in. "Are you at
home, Mrs. Brown? How are you?" says he, in that frank, friendly voice
that goes far to make the Felton tenants wish that Sir St. John reigned
in Sir Thomas's stead.
"Quite well, thank you, Mr. St. John; I hope I see you the same,"
replies the person addressed, coming to the door with a jolly red face
and a voluminous widow's cap that contradict one another; "it's a long
time since we've seen you come our way."
"So it is, Mrs. Brown; but, you see, I have been after the partridges."
"And Sir Thomas, I hope he keeps pretty well, Mr. St. John?"
"Yes, thanks."
"And Miladi, I hope she has her health."
"Yes, thanks."
"And Miss Bl----?"
"Yes, thanks," interrupts St. John, rather impatiently, breaking
through the thread of her interrogatories. "Do you see, Mrs. Brown,
that this young lady has met with an accident: she has tumbled into the
brook. Do you think you could let her dry herself at your fire a bit?"
"Eh dear, Miss, you _are_ in a mess!" ejaculates Mrs. Brown, walking
round Esther, and surveying her curiously, as she stands close behind
Gerard, dripping still, with a hang-dog air and chattering teeth. "Why,
you have not a dry stitch upon you; you are one _mask_ of mud! Would
you please to step in?"
Mrs. Brown and Essie retire into an inner chamber for the purpose of
removing the wet clothes and replacing them temporarily with some of
the contents of Mrs. Brown's wardrobe.
St. John remains in the outer room, looks at the clock, behind whose
dial-plate a round china-moon-face peeps out; takes up the mugs on the
dresser: "For a Good Boy," "A Keepsake from Melford," "A Present from
Manchester," hiding amongst numberless gilt flourishes; chivies the
tabby cat; counts the flitches of bacon hanging from the rafters; walks
to the door, and watches the bees crawling in and out of the low door
of their straw houses, and the maroon velvet nasturtiums trailing along
the borders, and lifting their round leaves and dark faces up to the
knees of the standard rose.
As he so stands, whistling softly and musing, some one joins him
in the doorway. He turns and beholds Esther, bashful, shame-faced,
metamorphosed. To Mrs. Brown's surprise, she has declined the
magnanimous offer of her best black silk. There is nothing coquettish
or picturesque, as she is aware, about an ill-made dress that tries
to follow the fashion and fails--destined, too, for a woman treble her
size. She has chosen in preference, a short, dark, linsey petticoat
and lilac cotton bedgown, which, by its looseness, can adapt itself to
the round slenderness of her tall, lissom figure. Her bonnet was not
included in the ruin of her other garments, but she has taken it off,
as destructive to the harmony of her costume.
St. John surveys her for some moments: looks upward from petticoat
to bedgown, and downward from bedgown to petticoat, but observes a
discreet silence.
Public-domain text, read in full here on John Shaqi.
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