For a month past or more, the dream that has pursued Gerard night and
day--unchecked in sleep, in waking faintly repressed by considerations
of honour--is to hold that fair woman's form in his arms; and now he
so holds her in reality. And yet, as the fulfilment of our wishes
seldom affords us the gratification we had anticipated, so it is with
him. Now that he has got her, he does not quite know what to do with
her. Shall he, encumbered by his beautiful burden, grope his way back
into his room, and lay her down there, while he goes and investigates
into the cause of her terror and swoon? But the household, being
alarmed, may find her there; and, so finding, would not the reputation
of her, most innocent, be endangered? Her head droops heavy in its
perfect lifelessness on his shoulder; her soft warm hair caresses his
cheek in the blackness of the night. He looks down the passage. From
Esther's open door a flood of light streams; at all events there is a
candle left burning there. In a moment he has borne her into her own
chamber, and has laid her most gently down upon the ginger-moreen bed.
He has no time to try and revive her now. "Perhaps it was only her
own imagination, poor child!--her own imagination, and those infernal
rats!" is the hasty thought that has crossed his mind; but looking
through the window, as she had done, he sees, as she had seen, a man's
dim figure in the starlight. Without a moment's delay, without casting
another thought even to the fair swooned woman he leaves behind him,
Gerard runs down the corridor, his blood pleasantly astir with the
thought of a possible adventure--through interminable dark galleries,
down the gleaming cold of white stone stairs, through hall, saloon,
north drawing-room, and justicing-room--till he reaches a narrow short
passage that leads to the garden door. As he and his light draw near,
the noise suddenly ceases. He stands still for a moment, expecting to
hear it repeated, but it is not. Setting down his candle, therefore,
he advances towards the door and unfastens it--it is secured by an
old-fashioned catch inside--opens it, and looks out into the night.
At first he can discern nothing but the chill wintry garden, and the
million stars scattered broadcast over God's one great unenclosed field
of the sky; but a second glance reveals to him a dim figure crouching
indistinct in the shadow of a projecting buttress.
"Who's there?" he cries, in a loud clear voice.
No answer.
"Who's there?" he repeats. "If you don't answer, I'll fire."
Firing, in this instance, must mean using the flat candlestick as a
projectile, for other weapon has Mr. Gerard none. Hardly have the words
left his mouth, however, before the figure springs forth from its
hiding-place, and stands erect before him.
"Don't fire, sir, please; it's I."
Public-domain text, read in full here on John Shaqi.
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