"Glad is a weak word to express my feelings; I am in ecstasies!"
"They are beautiful, I suppose--refined, witty, as I always picture the
women of your world?" she says, a little enviously.
"On the contrary, it would be impossible to find two more faded,
negative specimens of Belgravian womanhood: they have not a single
angle in either of their characters."
"Do you think _that_ a recommendation?"
"I did not say so."
"But you implied it, by expressing such exaggerated joy at their
coming."
"So I did--so I do: and if they were to rise in number from two to
fifty, like Falstaff's highwaymen, I should express greater joy still."
"And why?" raising herself from her cushions to get a straighter, truer
look into his bright, grave eyes.
"Because," he says, lowering his voice a little, and leaning closelier
over her, "the larger the party the better chance there is of
undisturbed _tête-à-têtes_ between congenial spirits. Do you see?"
And Esther _does_ see, and thinking on Robert Brandon, is uneasily
joyful.
* * * * *
Ere the arrival of the looked-for bazaar, Miss Craven's cure is
complete. On the day preceding the one appointed for that philanthropic
festivity, she has been walking in the late evening about the
moon-coloured garden, free from any remaining lameness, leaning on
St. John's arm. She does not need the slight stay, but it pleases him
to give and her to receive it. It does not please Miss Blessington,
however, watching them from an upper chamber--watching Esther dabble
her small hands in the opal water in the great bronze water-lily leaf
that makes the basin of the fountain--watching St. John, rapt and
absorbed in her pretty foolish chatter. And yet their talk, if she
could but hear it, holds nothing obnoxiously fond or _flirtatious;_ it
might be proclaimed by the bellman in the streets.
"How nice it is to be no longer a devil upon two sticks!" the young
girl is saying, joyfully; and the man makes answer, "You will be up to
another gallop across the park to-morrow?"
"Never, _never!_" she cries, bringing together emphatically her two
gleaming, wet hands. "You have witnessed my first and last equestrian
feat; with my own free-will I will mount never a horse again, unless it
is the rocking-horse at the end of the north gallery: it is frisky, yet
safe; gallops and plunges, yet stands still: that is the horse for me."
He laughs, and then they are silent.
A star falls, hurling itself mysteriously down the sky, and into the
dark; two bats glide past, dusky, noiseless. Bats always seem to me
like the ghosts of dead birds, that haunt the green gardens and copses
they used to love.
St. John speaks presently. "One forms mistaken estimates of people's
characters; I should not have imagined you a coward."
"But I am one, physically and morally," she answers, sighing.
Public-domain text, read in full here on John Shaqi.
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