"I was not bored," she answers, simply; "I was quite happy. You see I
did not know who was who, and I amused myself pairing the people: I
find that I paired them all wrong, though."
"Gave every man his neighbour's wife, did you? I dare say that some of
them would not have objected to the arrangement."
"I married _that_ old man" (indicating with the slightest possible
motion of her head the persons alluded to) "to _that_ old woman; I wish
it was not ill-manners to point. They both looked so red and pursy and
consequential, as if they had been telling each other for the last
thirty years what swells they were!"
"_Which_ old man to _which_ old woman? Oh! I see."
"They are rather like one another, too," she continues, gravely; "and
you know people say that, however unlike they may be at starting,
merely by dint of living together, man and wife grow alike."
"Do they?" he says, a transient thought flashing through his mind as to
whether, after twenty years of wedlock, that blooming peach face would
have gained any likeness to his hard, mahogany one. "But how did you
find out your mistake?"
"He put down her cup for her so politely just now, that I knew he could
not be her husband."
He looks amused. "You are rather young to be so severe upon wedded
bliss."
"Was I severe?" she asks, naïvely; "I did not know it; but, you know, a
man may be fond of his wife, may be kind to her, but can hardly be said
to be _polite_: politeness implies distance."
"Does it?" he says, involuntarily drawing his chair closer to hers, and
leaning forward under pretence of looking at the flowers that make a
scarlet fire in her hair. "By-the-by, how does the gum answer?"
She forgets to reply to his harmless question, while her eyes fall
troubled, half-frightened: the eyes that cannot, without a theft upon a
third person, give him back his tender looks--the eyes in whose pupils
Brandon is to see himself reflected for the next forty, fifty, sixty
years.
There is a little stir and flutter among the company: Belinda Denzil
moving to the piano; a music-stool screwed up and down; gloves taken
off; then a polite hush, infringed only by a country gentleman in
the distance saying something rather loud about guano, while Belinda
informs her assembled friends in a faint soprano that "He will return;
she knows he will." She has made the same asseveration any time the
last ten years; but he has not returned yet, and her relatives begin to
be afraid that he never will.
During the song Gerard falls into a reverie. At the end, coming out of
it, he asks with an abrupt change of subject: "What did you say the
name of your place was?"
"Glan-yr-Afon."
"Glan Ravvon?" (following her pronunciation.)
"Yes; you would never guess that it was sounded _Glan Ravvon_ if you
were to see it written: it is spelt quite differently."
"What does it mean? or does it mean anything?"
"It means 'Bank of the River;' so called, because it is not near the
bank of any river."
Public-domain text, read in full here on John Shaqi.
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