Children and war -- Juvenile fiction; France -- History -- Revolution, 1789-1799 -- Juvenile fiction
“There’s no sense in bringing in produce these mornings. Wait till
spring, I tell the master. Then there will be lettuces and cucumbers,
something worth while; though there won’t be so many to enjoy them as
last spring, I’m thinking.” The boy spoke significantly, meaning that
many of the rich aristocrats, who had enjoyed the market dainties, were
now in prison or had already been executed.
“Have you served many of the great houses with your master’s produce?”
Dian asked the boy.
“Bless you, of a surety! There are none of the big houses that I do not
know. All of Saint Germain has tasted our lettuces and our young
carrots. But that’s all passed now; their day is gone. You look as
though you knew a farm well yourself, and as though you did not feel too
well acquainted with the city.” He eyed Dian frankly, but not
impudently, as he spoke. [Illustration: Dian] “Yes, I am new to the city
and I confess that I would be glad of company. Would you not like to
stroll about for a while? This does not seem to be a cheerful part of
town. Let us take a look elsewhere.”
Dian had the rare gift of reading faces. He had felt, when he first saw
the farmer’s boy, that he was to be trusted and that he was merry and
honest of heart. He was very well content when the boy replied that he
would like to go about for a while, and he did not have to report to his
master until late afternoon. The two started off together, keeping along
the quieter streets, and walking rapidly until they came to the great
square facing the one-time Tuileries palace.
As they stood there in the great square, they could see the black,
sinister guillotine in the distance. Dian shut his eyes and stood for a
few moments with his head bowed over his clasped hands. He was giving
thanks for the long, warm summer days, the comfort of the stars at
night, and the confidence of his sheep as he led them home at sundown.
The noise of the city was all about him. Wild voices were singing the
“Ça Ira,” the song of the revolution, rough, ragged groups of men and
women in scarlet caps jostled past him. There were sounds of pounding
and hammering everywhere, and he could hear the clanging of anvils from
near-by forges. All over the city, these forges had sprung up over
night, to make weapons for the people.
They walked the great length of the square and, except for a curious
glance or so at Dian because of his red locks and his great stature, no
one noticed them at all. They kept in the midst of the crowd going up
the rue Saint Honoré. The tri-color ribbons and the gay red caps of the
half-starved crowds made splashes of brilliance through the greyness.
The farm boy touched Dian’s arm.
“Listen,” he said and his voice sank almost to a whisper. “Listen! I
hear the roar of the tumbrils. They are coming this way. They almost
always do. I have seen them before.” He caught Dian’s arm as he spoke,
and Dian could feel him trembling.
Public-domain text, read in full here on John Shaqi.
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