He looked so cool, however, and withal so handsome and intrepid as
he lay back and gazed into Leech’s eyes, denouncing him fiercely and
daring him to shoot, that Leech hesitated and turned toward his men
for encouragement. As he did so, the door opened hastily and a curious
thing happened. The great full-length portrait over the big fireplace,
loosened, perhaps, by the scuffle with Rupert, or by the jar of the
door as Mrs. Gray and Miss Thomasia, entered, slipped in its frame and
at the moment that Leech turned, fell forward, sending the Provost
staggering back among his startled men. When Leech recovered, his
men interfered. They were not ready to see a man murdered before his
mother. Baffled in this, the Provost determined on another revenge. He
swore he would have Jacquelin hanged, and made his men take him out
and put him on a horse. Jacquelin was unable to sit in the saddle,
and fell off in a faint. At this moment Hiram Still, whom Mrs. Gray
had summoned, came up and interposed. At first, the Provost was not
amenable even to Still’s expostulations; but at length he pressed
a wagon and had Jacquelin put in it, and hauled him off to the
court-house, to jail, still swearing he would have him hanged. Mrs.
Gray, having sent off by Blair in hot haste for Dr. Cary to follow
her, directed Still to replace the picture, ordered her carriage, and,
without waiting, set out for the court-house, accompanied by Miss
Thomasia and Rupert.
They had hardly left when Still went into the house to set the
picture back in its place. It was surrounded by a group of curious,
half-frightened servants who, with awe, alternately gazed on it and
on the yawning hole in the wall, making comments, full of foreboding.
Still sent them all off except Doan, whom he kept to help him set the
picture back in place. It was necessary to get up on a chair and lean
half way in the hole and examine the sides where the nails were to be
driven, and this Still did himself, making an examination of the entire
recess, even moving a number of bundles of old papers.
“Ah!” he said, with a deep inspiration, as he ran his eye over one
bundle, which he laid off to one side. He sent Doan out to get him some
long nails, for, as he explained, he meant now to nail the picture up
to stand till judgment day. The negro went with a mutter, half timid,
half jest, that he wouldn’t stay in that hole by himself not for the
whole Red Rock plantation and every mule on it. While he was absent
Still was not idle. Doan had no sooner disappeared than the manager
seized the bundle of papers he had laid to one side, and, hastily
cutting the string which bound it, extracted several papers.
“I thought I remembered which one it was in,” he murmured. “I didn’t
know when it was put in here as I’d ever git hold of it again.” He held
the papers up so as to get the light over his shoulder on them.
“Yes, that’s the big bond with the paint on it, payable to me. I
thought ’twa’n’t cancelled.”
Public-domain text, read in full here on John Shaqi.
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