"But the other is Mrs. Vane's _bon-bouche_ to the house party. She
said they deserved a surprise; but I believe she would just as soon
let it slide--for she is very tired, Captain Macleod. Only it would be
hard on Mr. Gillespie, who is full of his part; besides it really
should be the prettiest of all--Mrs. Vane took so much trouble over
it."
"Are you in it--and Dr. Kennedy?" he asked quickly.
"No, only I--and Mr. Gillespie, of course. You see it was for the
house party."
And Paul, as he went off to do host, wondered angrily what Violet
could mean; she always meant something--at least that was his
experience of her. The wonder lingered as he sate decorously between
Mrs. Woodward and Lady Hooker in the front row, listening between the
scenes to the account the latter gave of some tableaux she had got up
when they rented the Marquis of Tweedie's place in Peebleshire, and
whispering to the former, when the curtain rose finally on Alice as
Joan of Arc at the stake, that he hoped it was the last time her
daughter would suffer martyrdom in his house. For Paul invariably said
the right thing, if it paid him to do so, no matter what his real
feelings were at the moment; at the present time they were somewhat
mixed; the preponderant one being irritation at the whole round world.
And now, that being the last tableau on the programme, the guests were
manifestly becoming filled with uneasy wonder as to whether they were
expected to make the move or not, when the tinkle of the bell warned
them of something more, and after a minute's pause the lights went out
suddenly. Then from the darkness came Wagner's "March of the Gods to
Walhalla," and the curtain, rising slowly, showed a scene which well
deserved the murmur of recognition which ran round the more critical
part of the audience.
"Shouldn't have thought towel-horses could have done it--but she is a
deuced clever little soul," murmured Lord George to his neighbour, and
in truth, considering the resources at Mrs. Vane's command, the effect
was well-nigh marvellous. In the distance lay a stretch of sea and sky
lit by the light of a dying sunset which gained an almost real
radiance from the darkness of the foreground, where, with its back to
the audience, its foot upon the brink, a mailed figure, sword in hand,
bent, as if meditating a leap over the shadowy gulf which lay between
it and a low platform of rock overhanging the misty blue depths of the
distant sea. And on the rock, her silver helmet laid aside, her head
pillowed on her white arm, slept a warrior-maiden with her face turned
to the sunsetting. She was clad in soft, filmy, white draperies, but
the corselet of silver she wore above them rose and fell evenly with
her calm breathing; while round about her--so close that it seemed to
touch her wavy hair and silver, wing-shod feet--flickered and flamed a
mystic circle of fire.
Public-domain text, read in full here on John Shaqi.
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