She swept him a swift, gracious little curtsey. "_Dieu mercie,
Monsieur!_" she laughed, "the temptation would be too great, I
suppose? But I will tell you, if you like, why you have not forgotten.
Because I have kept myself _en evidence_; that is why. You say that I
see clearly, my friend. It is true. I see so clearly that the glamour
goes even from my own actions. You are the captive of my bow and
spear, Paul, but you would have escaped if you could. And Alice
Woodward cannot spin webs as I do; she will never be able to keep you,
and then----? Good-night." She held out her hand suddenly, but Paul
stood irresolute.
"You are clear sighted, indeed. God knows you read me like a book
sometimes." He hesitated, then went on hurriedly, "I wonder if--if
Miss Carmichael----"
Violet Vane shook her head with a smile. "That is the kind of
knowledge a man can generally find out for himself, my friend!
Personally, I think she will marry Tom Kennedy if she is left alone."
"Thank you. You certainly have courage, Violet."
"The courage of a surgeon who sees the knife is kindest in the end. I
have told you that you would be miserable with the woman you do not
love. I now tell you that you would not be happy with the woman you do
love."
"And why?"
"Because you have not the making of an archangel in you; that is why.
Do you think you have, Paul?" She stood for a moment at the door to
look up at him, as if she were making quite an ordinary remark. "But
there is the earth in the middle between the heavens above and the
waters beneath. Don't forget that, _my friend_."
When she had left him he lit another cigar out of sheer inability to
think of doing anything more decided, anything which in any way
affected his future, even to the extent of taking a night's repose;
that feeling of uncertainty being largely a result of sheer surprise
that he should have allowed Violet Vane's man[oe]uvring to pass
unreproved. And this, in its turn, convinced him, as nothing else
would have done, that she understood him as no one else could do.
And she? When he, coming up to his room, turned out the lamp on the
stair, he left the house in darkness, save for the candle he carried.
Yet Mrs. Vane was not even undressed. She was face down on her bed
trying to forget everything; above all, that old Peggy Duncan
possessed a secret which might--which might----
For her own reference to the past had brought that other past back
upon her, and, as she buried her hot face in the pillow, she told
herself that she had not, after all, spoken the truth. She had said
that his happiness was her motive, when it was her own. And wherefore
not?
CHAPTER XVIII.
Public-domain text, read in full here on John Shaqi.
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