"I'm so glad you have come back," she said, with a little tremble in
her voice; "so glad!" And then she looked up suddenly into the face
above her, surprised at the almost painful strength of his grip. For
Paul Macleod's composure was almost gone, and he was struggling hard
for self-control. What she saw kept her silent; but she bent towards
him till her soft, warm cheek touched his hand caressingly. The
action, with its tale of tender solicitude, its boundless sympathy,
was too much for him. He drew in his breath hard, and resting his arm
on the mantelpiece turned from her to hide his face upon it, and so
escape the pity in her eyes.
And he had dreamed of something so different! Of something coldly
just, reasonably reproachful! Without a word she had guessed, had
_known_, that he must be free to come, because he _had_ come back.
"What is it, dear?" she asked softly, as she stood beside him. "Are
you afraid that I am angry? Are you afraid that I care--about _that?_
Paul! I do not choose to care--I will not. Look at me, and you will
see if that is not the truth!"
What he saw was a face soft with the passion he knew so well--the
passion which lies so perilously close to self--which claims so much,
and resents so easily. But it was radiant also, as with a white flame
of cleansing fire, pitiless in its purity.
"What is it to me?" she went on, her voice ringing clearer. "What is
it to any woman unless she stoops to care? Oh! I understand now,
Paul--I understand things of which I never even dreamed before; things
which have been in your life--things which might have been in mine,
perhaps--God knows!--if I had been in your place. But they are no more
to me than this--a grief, a regret, because they are a stain upon your
past, as all wrong must be. They are no more to me than that, because
I do not choose to count them more!"
So, with a smile in her eyes, and a quiver of pain on her lips, she
raised her face to his and kissed him.
Thus neither humiliation nor forgiveness was allowed a part in this
woman's reading of the Divine Comedy. Perhaps she was wrong, and yet
no scorn, no righteous indignation, could have made Paul Macleod feel
more acutely the gulf which lay between his past and hers. Between
their futures also. They might be friends, but from that pure Love of
hers he was for ever outcast, though she might not know it--though he
might spend his life in trying to conceal the fact that he lived on a
lower plane than she did. Why! the past was with him _now_, even at
the touch of her lips. He loved her, as he had loved so often before.
"Marjory!" he cried passionately, "I don't deserve it, but I can't
miss it--if you will put up with me?"
She drew herself away, and looked at him with a half-tender,
half-mocking expression.
"Put up with you? What else is there to be done now that you have come
back to me?"
Public-domain text, read in full here on John Shaqi.
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