Red Spider, Volume 1 (of 2)Baring-Gould, S. (Sabine)
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Red Spider, Volume 1 (of 2)
Baring-Gould, S. (Sabine)
English fiction -- 19th century
A dappled horse was led out, and the columbine mounted and galloped
round the ring. Every now and then the hoofs struck the enclosing
boards, and the children shrank against Honor and Kate in terror. Then
a spray of sawdust was showered over the lads, who roared with laughter,
thinking it a joke.
A second horse was led out to be ridden by the harlequin, but the clown
insisted on mounting it, and was kicked off. Then the harlequin ran
across the area, whilst the horse was in full career, and leaped upon
its back, held the columbine’s hand, and round and round they went
together. All was wretchedly poor. The jokes of the clown were as
threadbare as the silks, and as dull as the spangles on the equestrians.
Poverty and squalor peered through the tawdry show. But an audience of
country folk is uncritical and easily pleased. The jests were relished,
the costumes admired, and the somersaults applauded. All at once a
commotion ensued. The queen in red and blue, who had sold the tickets
of admission, appeared in a state of loud and hot excitement, calling
for the manager and gesticulating vehemently. The performance was
interrupted. The horses of harlequin and columbine were restrained, and
were walked leisurely round the arena, whilst the lady in gauze (very
crumpled) seated herself on the flat saddle and looked at the
spectators, who curiously scrutinised her features and compared opinions
as to her beauty. Presently the clown ran to the scene of commotion.
The queen was in very unregal excitement, shaking her head, with her
pendant earrings flapping, very loud and vulgar in voice; some of the
audience crowded about the speakers.
Then Honor was aware that faces and fingers were pointed towards the
bench which she and her party occupied, and in another moment the
manager, the crowned lady-manageress, the clown, now joined by the
harlequin, who had given his horse to a boy, and a throng of inquisitive
spectators, came down—some across the arena, others stumbling over the
deal benches—towards the little party.
’That’s he!’ shouted the lady in crimson and blue, shaking her black
curls, puffing with anger, and indicating with a fat and dirty hand,
’That’s the blackguard who has cheated us.’ She pointed at Charles.
The columbine drew rein and stood her horse before the group, looking
down on it. She had holes in her stockings, and the cherry silk of her
bodice was frayed. Kate saw that.
’Look here, you rascal! What do you mean by trying to cheat us poor
artists, with horses and babies to feed, and all our wardrobe to keep in
trim, eh? What do you mean by it?’
Then the clown in broad cockney, ’What do you mean by it, eh? Some one
run for the constable, will you? Though we be travelling showmen we’re
true-born Britons, and the law is made to protect all alike.’
Public-domain text, read in full here on John Shaqi.
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