Reflections on the death of a porcupine and other essaysLawrence, D. H. (David Herbert)
Philosophy
Reflections on the death of a porcupine and other essays
Lawrence, D. H. (David Herbert)
English essays -- 20th century
In the Egyptians, the spark between man and the living universe remains
alight for ever in those early, silent, motionless statues of Pharaohs.
They say, it is the statue of the soul of the man. But what is the soul
of a man, except _that_ in him which is himself alone, suspended in
immediate relationship to the sum of things? Not isolated or cut off.
The Greeks began the cutting apart business. And Rodin’s remerging was
only an intellectual tacking on again.
The serpent hasn’t got his tail in his mouth. He is on the alert, with
lifted head like a listening, sparky flower. The Egyptians knew.
But when the oldest Egyptians carve a hawk or a Sekhet-cat, or paint
birds or oxen or people: and when the Assyrians carve a she-lion: and
when the cave-men drew the charging bison, or the reindeer, in the caves
of Altamira: or when the Hindoo paints geese or elephants or lotus in
the great caves of India whose name I forget--Ajanta!--then how
marvellous it is! How marvellous is the living relationship between man
and his object! be it man or woman, bird, beast, flower or rock or rain:
the exquisite frail moment of pure conjunction, which, in the fourth
dimension, is timeless. An Egyptian hawk, a Chinese painting of a camel,
an Assyrian sculpture of a lion, an African fetish idol of a woman
pregnant, an Aztec rattlesnake, an early Greek Apollo, a cave-man’s
paintings of a Pre-historic mammoth, on and on, how perfect the timeless
moments between man and the other Pan-creatures of this earth of ours!
And by the way, speaking of cave-men, how did those prognathous
semi-apes of Altamira come to depict so delicately, so beautifully, a
female bison charging, with swinging udder, or deer stooping feeding, or
an antediluvian mammoth deep in contemplation. It is art on a pure, high
level, beautiful as Plato, far, far more “civilized” than Burne Jones.
Hadn’t somebody better write Mr. Wells’ History backwards, to prove how
we’ve degenerated, in our stupid visionlessness, since the cave-men?
The pictures in the cave represent moments of purity which are the quick
of civilization. The pure relation between the cave-man and the deer:
fifty per-cent. man, and fifty per-cent. bison, or mammoth, or deer. It
is not ninety-nine per-cent. man, and one per-cent. horse: as in a
Raphael horse. Or hundred per-cent. fool, as when F. G. Watts sculpts a
bronze horse and calls it Physical Energy.
If it is to be life, then it is fifty per-cent. me, fifty per-cent.
thee: and the third thing, the spark, which springs from out of the
balance, is timeless. Jesus, who saw it a bit vaguely, called it the
Holy Ghost.
Between man and woman, fifty per-cent. man and fifty per-cent. woman:
then the pure spark. Either this, or less than nothing.
As for ideal relationships, and pure love, you might as well start to
water tin pansies with carbolic acid (which is pure enough, in the
antiseptic sense) in order to get the Garden of Paradise.
BLESSED ARE THE POWERFUL
Public-domain text, read in full here on John Shaqi.
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