Reflections on the death of a porcupine and other essaysLawrence, D. H. (David Herbert)
Philosophy
Reflections on the death of a porcupine and other essays
Lawrence, D. H. (David Herbert)
English essays -- 20th century
Or possibly she is away down in the bottom corner, lowing _sotto voce_
and blindly to some far-off, inaccessible bull. Then when I call at her,
and approach, she screws round her tail and flings her sharp, elastic
haunch in the air with a kick and a flick, and plunges off like a buck
rabbit, or like a black demon among the pine trees, her udder swinging
like a chime of bells. Or possibly the coyotes have been howling in the
night along the top fence. And then I call in vain. It’s a question of
saddling a horse and sifting the bottom timber. And there at last the
horse suddenly winces, starts: and with a certain pang of fear I too
catch sight of something black and motionless and alive, and terribly
silent, among the tree-trunks. It is Susan, her ears apart, standing
like some spider suspended motionless by a thread, from the web of the
eternal silence. The strange faculty she has, cow-given, of becoming a
suspended ghost, hidden in the very crevices of the atmosphere! It is
something in her _will_. It is her tarnhelm. And then, she doesn’t know
me. If I am afoot, she knows my voice, but not the advancing me, in a
blue shirt and cord trousers. She waits, suspended by the thread, till I
come close. Then she reaches forward her nose, to smell. She smells my
hand: gives a little snort, exhaling her breath, with a kind of
contempt, turns, and ambles up towards the homestead, perfectly assured.
If I am on horse-back, although she knows the grey horse perfectly well,
at the same time she _doesn’t_ know what it is. She waits till the
wicked Azul, who is a born cow-punching pony, advances mischievously at
her. Then round she swings, as if on the blast of some sudden wind, and
with her ears back, her head rather down, her black back curved, up she
goes, through the timber, with surprising, swimming swiftness. And the
Azul, snorting with jolly mischief, dashes after her. And when she is
safely in her milking place, still she watches with her great black eyes
as I dismount. And she has to smell my hand before the cowy peace of
being milked enters her blood. Till then, there is something _roaring_
in the chaos of her universe. When her cowy peace comes, then her
universe is silent, and like the sea with an even tide, without sail or
smoke: nothing.
That is Susan, my black cow.
And how am I going to equilibrate myself with her? Or even, if you
prefer the word, to get in harmony with her?
Equilibrium? Harmony? with that black blossom! Try it!
She doesn’t even know me. If I put on a pair of white trousers, she
wheels away as if the devil was on her back. I have to go behind her,
talk to her, stroke her, and let her smell my hand; and smell the white
trousers. She doesn’t know they are trousers. She doesn’t know that I am
a gentleman on two feet. Not she. Something mysterious happens in her
blood and her being, when she smells me and my nice white trousers.
Public-domain text, read in full here on John Shaqi.
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