Reflections on the painting and sculpture of the Greeks : $b with instructions for the connoisseur, and an essay on grace in works of artWinckelmann, Johann Joachim
Philosophy
Reflections on the painting and sculpture of the Greeks : $b with instructions for the connoisseur, and an essay on grace in works of art
Winckelmann, Johann Joachim
Aesthetics -- Early works to 1800; Art -- Philosophy; Art, Greek
[231] Pausan. L. III. p. 245. l. 20. Morel Specim. Rei. N. XII.
[232] Spanhem. Diss. T. I. p. 154.
[233] Spanhem. Obs. ad Juliani Imp. Orat. I. p. 282.
[234] Montfaucon Ant. expl. T. III.
[235] Morell. Specim. Rei Num. T. VIII. p. 92.
[236] Artemidor. Oneirocr. L. II. c. 49.
[237] Noct. Attic. L. XIV. c. 4.
[238] Agost. Dialog. II. p. 45. Rom. 1650. fol.
[239] Tristan. Comm. hist. de l’Emp. T. I. p. 297.
[240] Numism. Musell. Imp. R. tab. 38.
[241] Ibid. Tab. II.
[242] Ibid. Tab. XXIX. Erisso Dichiaraz. di Medagl. ant. P. II. p. 130.
[243] Plutarch Syll. p. 50, 51.
[244] Conf. Philostrat. Imag. p. 737.
[245] Plin. Hist. N. L. XVIII. c. 47. Agost. Dial. III. p. 104.
[246] Gabriæ Fab. p. 169. in Æsop. Fab. Venet. 1709. 8.
[247] Pausan. L. I. c. 43. p. 105. L. 7.
[248] Plutarch. Sympos. L. IX. qu. 6.
[249] Vaillant Numism. Imp. T. II. p. 133.
[250] Plutarch. Vit. Thes. p. 26.
[251] Agost. Dial. II. p. 66, 67. Numism. Musell. Imp. Rom. Tab. 115.
[252] Ripa Iconol. n. 87.
[253] Thesaur. de Arguta Dict.
[254] Numism. Musell. Imp. R. Tab. 107.
[255] Ibid. Tab. 106.
[256] Ibid. Tab. 105.
[257] Ripa Iconol. P. I. n. 53.
[258] Agost. Dial. II. p. 57. Numism. Musell. l. c. Tab. 68.
[259] Agost. l. c.
[260] Ripa Ic. P. I. n. 135.
[261] Agost. Dial. II. p. 47.
[262] Ripa Iconol. P. I. n. 31.
[263] Ibid. P. I. n. 25.
[264] Vide Picinelli Mund. Symb.
[265] Shaw Voyag. T. I.
[266] Hayman Tesoro Brit. T. I. p. 219.
[267] Egnatius de exempl. illustr. Vir. Venet. L. V. p. 133.
[268] Numism. Barbar. Gent. n. 37. Padova. 1732. fol.
[269] Medailles de Louis le Grand, a. 1663. Paris 1702. fol.
[270] Thesaur. de Argut. Dict.
[271] Ripa Iconol. P. II. p. 166.
[272] Spectator, Edit. 1724. Vol. II. p. 201.
[273] Canini Imag. des Heros. N. I.
[274] Stoch Pier. Grav. Pl. LI.
[275] Pausan. L. X. p. 870. 871.
[276] Vit. Thesei. p. 29.
[277] De Monstrosa Amicitia respectu perfectionis inter Nic. Barbar. &
Marc. Trivisan. Venet. apud Franc. Baba. 1628. 4.
[278] Vita Marcelli. Ortelii Capita Deor. L. II. fig. 41.
[279] Thomasin. Donar. Vet. c. 5.
[280] Plutarch. Quæst. Rom. P. 266. F.
[281] Vulp. Latium. T. I. L. I. c. 27. p. 406.
[282] Agostin. Dialog. II. p. 81.
[283] Ibid. & Beger Obs. in Num. p. 56.
[284] Iliad, i. v. 498. Conf. Heraclides Pontic. de Allegoria Homeri, p.
457, 58.
[285] Architect. L. II. c. 8.
[286] Vide Representatio Bibliothecæ Cesareæ Viennæ 1737. fol. obt.
[287] This piece is engraved by Simmoneau Senior Cons. Lepicié Vies des
p. P. de R. T. I. p. 64.
[288] Another representation of that story, and one of Poussin’s best
originals, is in the gallery of Dresden, in which the river god is
extremely advantageous to the composition of the whole.
[289] Plin.
[290] Plato Alcibiad. II. P. 457. l. 30.
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