Justin informs us that the publick virtue of Athens declined immediately after the death of Epaminondas.[158] No longer awed by the virtue of that great man, which had been a perpetual spur to their ambition, they sunk into a lethargy of effeminate indolence. The publick revenues appropriated for the service of the fleet and army were squandered in publick festivals and publick entertainments. The stage was the chief object of the publick concern, and the theatres were crowded whilst the camp was a desert. Who trod the stage with the greatest dignity, or who excelled most in the conduct of the drama; not who was the ablest general, or most experienced admiral, was the object of the publick research and publick applause. Military virtue and the science of war were held cheap, and poets and players engrossed those honours due only to the patriot and the hero; whilst the hard-earned pay of the soldier and the sailor was employed in corrupting the indolent pleasure-taking citizen. The fatal consequence of this degeneracy of manners, as Justin assures, was this: that the able Philip, taking advantage of the indolence and effeminacy of the Athenians, who before took the lead in defence of the liberty of Greece, drew his beggarly kingdom of Macedon out of its primitive obscurity, and at last reduced all Greece under the yoke of servitude. Plutarch, in his inquiry whether the Athenians were more eminent in the arts of war or in the arts of peace, severely censures their insatiable fondness for diversions.[159] He asserts, that the money idly thrown away upon the representation of the tragedies of Sophocles and Euripides alone, amounted to a much greater sum than had been expended in all their wars against the Persians, in defence of their liberty and common safety. That judicious philosopher and historian, to the eternal infamy of the Athenians, records a severe but sensible reflection of a Lacedemonian who happened to be present at these diversions. The generous Spartan, trained up in a state where publick virtue still continued to be the object of publick applause could not behold the ridiculous assiduity of the choragi, or magistrates who presided at the publick shows, and the immense sums which they lavished in the decorations of a new tragedy, without indignation. “He therefore, frankly told the Athenians, that they were highly criminal in wasting so much time, and giving that serious attention to trifles, which ought to be dedicated to the affairs of the publick.[160] That it was still more criminal to throw away upon such bawbles as the decorations of a theatre, that money which ought to be applied to the equipment of their fleet, or the support of their army. That diversions ought to be treated merely as diversions, and might serve to relax the mind at our idle hours,[161] or when over a bottle; if any kind of utility could arise from such trifling pleasures. But to see the Athenians make the duty they owed to their country give way to their