Jesus Christ -- Fiction; Religious fiction; United States -- Social life and customs -- 20th century -- Fiction
As the three climbed the stairs Gilderman became aware of a strange,
droning, sing-song sort of chant, or rather mummer, that grew louder
and louder as they ascended. He found it came from one of the rooms
on the third floor. The inspector led the way directly to the door of
this room, and Santley Foord turned and said to Gilderman: "It's those
people you hear, and, by George! Mr. Gilderman, we're in luck; they're
about some of their religious ceremonies this minute. I hope you'll be
able to see some of them in a trance state."
The inspector stood for a while with his hand upon the knob as though
listening. Then he said, in a low voice, "I'll wait outside here."
"Is it perfectly safe?" asked Gilderman, instinctively lowering his
voice to the same pitch as that in which the inspector spoke.
"Lord bless you! yes, Mr. Gilderman," said Dolan; "they're as harmless
as mice."
Then he opened the door and Foord stepped into the room, closely
followed by Gilderman. There were maybe a dozen or so men in the
crowded space. The room was very close and hot. Some of the inmates
were sitting around a deal table; two were standing with their backs
to a cold and rusty stove, and one was leaning against the wall, his
face hidden in his arm, his body shaking as though he were crying.
None of them seemed to be aware of the presence of the intruders, and
then Gilderman saw with a shock, almost as of awe, that they were
indeed in a state as though of entrancement. The faces of all were
transfixed, vacant, exalted. They seemed all to be lit with a singular
illumination. It was almost as though the faces were translucent
and illuminated to that singular roseate brightness by a light from
behind. Gilderman had never seen anything like it before. By-and-by a
feeling akin to terror began to creep over him. What did it all mean? A
strange, groaning murmur coming from the breasts of the men filled the
room full of sound, now rising fuller, almost into articulate speech,
now quavering away into a dull murmur. It was very impressive--almost
awful, to Gilderman.
If Foord was at all impressed he was too busy to yield to his emotions.
He had taken out his sketch-book and was sketching rapidly. Inspector
Dolan was looking over his shoulder through the half-open door.
None of the three knew what it was that they had come so near to
seeing; for the crying man with his face hidden against the wall was
Thomas the Doubter.
Still Foord sketched away rapidly, and by-and-by Gilderman found
himself becoming interested in the swift, dexterous strokes of the
pencil and the quick suggestions of portraiture. "Do you suppose they
mind you doing this?" he whispered.
"Lord bless you, no!" said Foord, _sotto voce_. "They don't see or know
anything when they're in that state."
Public-domain text, read in full here on John Shaqi.
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