Religion in the Heavens; Or, Mythology Unveiled in a Series of LecturesMitchell, Logan
Religion
Religion in the Heavens; Or, Mythology Unveiled in a Series of Lectures
Mitchell, Logan
Religion; Religion -- Controversial literature
The Egyptian deity, Bacchus, or the wine-producing god, being also a
personification of the sun, is the same as Christ, and of course, like
him, visited the "lowest regions" after being unjustly put to death.
These being only the Egyptian and Indian names for the same divinity, it
was quite in analogy to preserve a symbolical allusion to the vine and
blood of the grape, in the crucifixion of Christ. But it requires little
penetration to perceive that all we find there said about the "agony,"*
in the garden, and sweating "great drops of blood," has a very plain
allusion to the wine-press and the compression of the grapes;** and
here the secret meaning is as near the surface as it possibly can be in
allegory. The rich, sweet juice is at first expressed in "great drops,"
or copiously, and is called "the blood of the grape;" by a second
pressure, the thin lees, or "vinegar," is compressed, which they are
allegorically said to have given him to drink; and after this last
process the business is truly said to be "finished." After this manner,
and in every age and country of the world, down to the present day,
have the allegories invented by priests, and cunningly drawn from
the astronomical phænomena of nature, passed for religion amongst the
unthinking million.*** If the cruel usage given to John Barleycorn, in
the process of turning him into beer, had been allegorised to us in our
present ignorance, and priest-nursed stupidity, it would have
answered equally as well as the fable of Christ and the "blood of the
wine-press."
* "An Agony literally is a wine-press."--Taylor.
** "And the wine-press was trodden without the city, and
blood came out of the wine-press" (Rey. xiv., 20).
*** The Crucifixion of Christ is so manifestly a new version
of that of Prometheus (another name of the sun), that in our
translations of that tragedy of Æschylus, the crucifixion of
the original is never, acknowledged; but he is always
fraudulently said to be bound. "The object of this impudent
fraud," says Mr. Higgins, "need not be pointed out."
Public-domain text, read in full here on John Shaqi.
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