Religion & Sex: Studies in the Pathology of Religious DevelopmentCohen, Chapman
Religion
Religion & Sex: Studies in the Pathology of Religious Development
Cohen, Chapman
Sex -- Religious aspects
"Phallic worship in various forms prevails. It is not associated with
any rites that might be called particularly obscene; and on the coast,
where manners and morals are particularly corrupt, the phallus cult is
no longer met with. In the forests between Manyanga and Stanley Pool it
is not rare to come upon a little rustic temple, made of palm fronds and
poles, within which male and female figures, nearly or quite life size,
may be seen, with disproportionate genital organs, the figures being
intended to represent the male and female principle. Around these carved
and painted statues are many offerings, plates, knives, and cloth, and
frequently also the phallic symbol may be seen dangling from the
rafters. There is not the slightest suspicion of obscenity in all this,
and anyone qualifying this worship of the generative power as obscene
does so hastily and ignorantly. It is a solemn mystery to the Congo
native, a force but dimly understood, and, like all mysterious natural
manifestations, it is a power that must be propitiated and persuaded to
his good."[83]
The Egyptian religion was permeated with phallicism. In India phallic
worship is widely scattered. In Benares, the sacred city, "everywhere,
in the temples, in the little shrines in the street, the emblem of the
Creator is phallic." Symbols of the male and female sexual organs, the
Lingam and the Yoni, have been objects of worship in India from the
earliest times. With the Sakti ceremonies, Hindu religion dispenses with
symbols, and devotion is paid to a naked woman selected for the
occasion.[84] This worship of a nude female is a very familiar
phenomenon in the history of religion. Some of the early Christian sects
were said to have practised it, and it is a feature of some Russian
religious sects to-day. The subject will be dealt with more fully
hereafter.
Public-domain text, read in full here on John Shaqi.
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