I often think of the closing appeal of the old preacher, who was more earnest than refined, perhaps, and in winding up his brief sermon on the Christian life, said: “A man may lose all his wealth and get poor and hungry and still recover, he may lose his health and come down close to the dark stream and still git well again, but, when he loses his immortal soul it is good-bye John.” Lovely Horrors. I dropped in the other day to see New York's great congress of wax figures and soft statuary carnival. It is quite a success. The first thing you do on entering is to contribute to the pedestal fund. New York this spring is mostly a large rectangular box with a hole in the top, through which the genial public is cordially requested to slide a dollar to give the goddess of liberty a boom. I was astonished and appalled at the wealth of apertures in Gotham through which I was expected to slide a dime to assist some deserving object. Every little while you run into a free-lunch room where there is a model ship that will start up and operate if you feed it with a nickle. I never visited a town that offered so many inducements for early and judicious investments as New York. But we were speaking of the wax works. I did not tarry long to notice the presidents of the United States embalmed in wax, or to listen to the band of lutists who furnished music in the winter garden. I ascertained where the chamber of horrors was located, and went there at once. It is lovely. I have never seen a more successful aggregation of horrors under one roof and at one price of admission. If you want to be shocked at cost, or have your pores opened for a merely nominal price, and see a show that you will never forget as long as you live, that is the place to find it. I never invested my money so as to get so large a return for it, because I frequently see the whole show yet in the middle of the night, and the cold perspiration ripples down my spinal column just as it did the first time I saw it. The chamber of horrors certainly furnishes a very durable show. I don't think I was ever more successfully or economically horrified. I got quite nervous after a while, standing in the dim religious light watching the lovely horrors. But it is the saving of money that I look at most. I have known men to pay out thousands of dollars for a collection of delirium tremens and new-laid horrors no better than these that you get on week days for fifty cents and on Sundays for two bits. Certainly New York is the place where you get your money's worth. There are horrors there in that crypt that are well worth double the price of admission. One peculiarity of the chamber of horrors is that you finally get nervous when anyone touches you, and you immediately suspect that he is a horror who has come out of his crypt to get a breath of fresh air and stretch his legs. [Illustration: HE WAS GREATLY ANNOYED.]