There were other little incidents like that which occurred in and around
the old theater, some growing out of the lost love of a beer-jerker, some
from an injudicious investment in a bob-tail flush that never got ripe
enough to pick, and some from the rarified mountain air, united with an
epidemic known as _mania rotguti_.
A funny incident of the stage occurred not long ago to a friend of mine,
who is traveling with a play in which a stage cow appears. He is using
what is called a profile cow now, which works by machinery. Last winter
this cow ran down while in the middle of the stage, and forgot her lines.
The prompter gave the string a jerk in order to assist her. This broke the
cow in two, and the fore-quarters walked off to the left into one
dressing-room, while the behind-quarters and porter-house steak retired to
the outer dressing-room. The audience called for an _encore_; but the cow
felt as though she had made a kind of a bull of the part, and would not
appear. Those who may be tempted to harshly criticise this last remark,
are gently reminded that the intense heat of the past month is liable to
effect anyone's mind. Remember, gentle reader, that your own brain may
some day soften also, and then you will remember how harsh you were toward
me.
Prior to the profile cow, the company ran a wicker-work cow, that was
hollow and admitted of two hired-men, who operated the beast at a moderate
salary. These men drilled a long time on what they called a heifer
dance--a beautiful spectacular, and highly moral and instructive quadruped
clog, sirloin shuffle, and cow gallop, to the music of a piano-forte. The
rehearsals had been crowned with success, and when the cow came on the
stage she got a bouquet, and made a bran mash on one of the ushers.
She danced up and down the stage, perfectly self-possessed, and with that
perfect grace and abandon which is so noticeable in the self-made cow.
Finally she got through, the piano sounded a wild Wagnerian bang, and the
cow danseuse ambled off. She was improperly steered, however, and ran her
head against a wing, where she stopped in full view of the audience. The
talent inside of the cow thought they had reached the dressing-room and
ran against the wall, so they felt perfectly free to converse with each
other. The cow stood with her nose jammed up against the wing, wrapped in
thought, Finally, from her thorax the audience heard a voice say:
“Jim, you blamed galoot, that ain't the step we took at rehearsal no
more'n nuthin'. If you're going to improvise a new cow duet, I wish you
wouldn't take the fore-quarters by surprise next time.”
It is not now known what the reply was, for just then the prompter came on
the stage, rudely twisted the tail of the cow, rousing her from her
lethargy, and harshly kicking her in the pit of the stomach, he drove her
off the stage, The audience loudly called for a repetition, but the cow
refused to come in.
George the Third.
Public-domain text, read in full here on John Shaqi.
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