Authors, American -- 19th century -- Biography; Feminists -- United States -- Biography; Howe, Julia Ward, 1819-1910
We passed on to Italy. Soon after my arrival in Florence I was asked to
speak on suffrage at the _Circolo Filologico_, one of the favorite halls
of the city. The attendance was very large. I made my argument in
French, and when it was ended a dear old-fashioned conservative in the
gallery stood up to speak, and told off all the counter pleas with which
suffragists are familiar,--the loss of womanly grace, the neglect of
house and family, etc. When he had finished speaking a charming Italian
matron, still young and handsome, sprang forward and took me by the
hand, saying, "I feel to take the hand of this sister from America."
Cordial applause followed this and I was glad to hear my new friend
respond with much grace to our crabbed opponent in the gallery. The
sympathy of the audience was evidently with us.
A morning visit to the Princess Belgioiosa may deserve a passing
mention. This lady was originally Princess Ghika, of a noble Roumanian
family. She had married a Russian--Count Murherstsky. I never knew the
origin of the Italian title. My dear friend, Mrs. Ednah D. Cheney, went
with me to the princess's villa, which was at some distance from the
city proper. Although the winter was well begun she received us in a
room without fire. She was wrapped in furs from head to foot while we
shivered with cold. She appeared to be about sixty years of age, and
showed no traces of the beauty which I had seen in a portrait of her
taken in her youth. She spoke English fluently, but with idioms derived
from other languages, in some of which I should have understood her more
easily than in my own.
Our first winter abroad was passed in Rome, which I now saw for the
first time as the capital of a united Italy. The king, "_Il Re
Galantuomo_," was personally popular with all save the partisans of the
Pope's temporal dominion. I met him more than once driving on Monte
Pinciano. He was of large stature, with a countenance whose extreme
plainness was redeemed by an expression of candor and of good humor.
In the course of this winter Victor Emmanuel died. The marks of public
grief at this event were unmistakable. The ransomed land mourned its
sovereign as with one heart.
I recall vividly the features of the king's funeral procession, which
was resplendent with wreaths and banners sent from every part of Italy.
The monarch's remains were borne in a crimson coach of state, drawn by
six horses. His own favorite war-horse followed, veiled in crape. Nobles
and servants of noble houses walked before and after the coach in
brilliant costumes, bareheaded, carrying in their hands lighted torches
of wax. I stood to see this wonderful sight with my dear friend Sarah
Clarke, at a window of her apartment opposite to the Barberini Palaces.
As the cortége swept by I dropped my tribute of flowers.
Public-domain text, read in full here on John Shaqi.
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