Reminiscences of Pioneer Days in St. Paul: A Collection of Articles Written for and Published in the Daily Pioneer PressMoore, Frank
History
Reminiscences of Pioneer Days in St. Paul: A Collection of Articles Written for and Published in the Daily Pioneer Press
Moore, Frank
Frontier and pioneer life -- Minnesota; Saint Paul (Minn.) -- History
Very few of the 200,000 inhabitants of St. Paul are aware that the
three-story, three-cornered building on Third street at Seven Corners
once contained one of the most popular amusement halls in the city. It
was called Irvine hall, and at one time Melodeon hall. Dan Emmet had a
minstrel company at this hall during the years 1857 and 1858, and an
excellent company it was, too. There was Frank Lombard, the great
baritone; Max Irwin, bones, and one of the funniest men who ever sat
on the stage; Johnny Ritter, female impersonator and clog dancer, and
a large number of others. Frank Lombard afterward achieved a national
reputation as one of the best baritone singers in the country. He
was much sought after for patriotic entertainments and political
conventions. His masterpiece was the Star-Spangled Banner, and his
great baritone voice, which could be heard for blocks, always brought
enthusiastic applause. Some time during the summer of 1858 the
Hutchinson family arranged to have the hall for a one-night
entertainment. By some means or other the troupe got separated and one
of the brothers got stalled on Pig's Eye bar. When their performance
was about half over the belated brother reached the hall and rushed
frantically down the aisle, with carpetbag in hand, leaped upon the
stage, and in full view of the audience proceeded to kiss the entire
tribe. The audience was under the impression they had been separated
for years instead of only twenty-four hours. The next evening Max
Irwin was missing from his accustomed place as one of the end men, and
when the performance had been in progress for about fifteen minutes
Max came rushing down the aisle with carpetbag in hand and went
through the same performance as did the lost brother of the Hutchinson
family. The effect was electrical, and for some time Max's innovation
was the talk of the town. Dan Emmet, though a wondering minstrel, was
a very superior man and was his own worst enemy. He was a brother of
Lafayette S. Emmett, chief justice of the supreme court of the State
of Minnesota. The judge, dignified and aristocratic, did not take
kindly to the idea of his brother being a minstrel. Dan was not
particularly elated because his brother was on the supreme bench. They
were wholly indifferent as to each other's welfare. They did not even
spell their names the same way. Dan had only one "t" at the end of his
name, while the judge used two. Whether the judge used two because
he was ashamed of Dan, or whether Dan used only one because he was
ashamed of the judge, no one seemed to know. Dan Emmet left a legacy
that will be remembered by the lovers of melody for many years. What
left the judge? When Emmet's company left St. Paul they got stranded
and many of them found engagements in other organizations. Dan turned
his attention to writing negro melodies. He wrote several popular
airs, one of them being "Dixie," which afterward became the national
air of the Confederate States.
Public-domain text, read in full here on John Shaqi.
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