Reminiscences of Prince Talleyrand, Volume 1 (of 2)Colmache, M., active 19th century
History
Reminiscences of Prince Talleyrand, Volume 1 (of 2)
Colmache, M., active 19th century
Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
“‘Upon this occasion, I was contented with warming my hands at the
scented blaze, and gazing on the portly form of the princess, reclining
in ample majesty on the green satin fauteuil before me. Perhaps there
never existed a type of ridicule and exaggeration more strongly defined
than the Princesse de Guéménée, particularly at this period of her
life, when, having lost, by extravagance and folly, the position to
which she was entitled by birth and fortune, she appeared as though
seeking to gain distinction in another way, by exaggerating the
follies of the times, and affording in her person a complete epitome
of all the extravagance and bad taste for which the court had become,
even then, proverbial. At the very hour of which I am speaking, even
when under the ban of dismissal from the court, of reproval from
the sovereign, and of the condemnation of all persons of credit and
character throughout the kingdom—when it was a notorious fact that
her husband and herself were paying loans upon the estates which yet
remained to them at the rate of fifty and seventy per cent.—was she
attired in all the absurd and costly frippery which a depraved fashion
might have excused some years before, when she was yet in possession
of the stupendous fortune which so long had caused the Rohans to rival
in splendour the sovereign himself, but which would only excite pity
and disgust in the minds of those aware of the desperate state of her
affairs.
“‘She was attired in a robe of I know not what kind of rich stuff,
which stood on end, and completely filled the immense arm-chair
in which she was seated. This again was entirely covered with the
richest lace, which, looped with ornaments in brilliants, representing
_scorpions_, fell over either elbow of the chair, completely disguising
its form, thus leaving the princess to represent to the beholder the
richly-decorated joss of some Chinese temple, that scorns, in virtue of
its divinity, the support which mortals need when seated. Altogether I
scarcely ever remember to have seen a more ridiculous figure than that
of the Princesse de Guéménée as she sat thus before me, the light of
the fire dancing upon the diamonds with which she was covered from head
to foot, now resting upon the thick rouge upon her cheeks, then flying
off to some absurd and comical ornament with which she had thought
fit to load the towering fabric of her powdered hair, and making her
countenance take all kinds of fantastic expressions, as though she had
been the sport of some merry demon.
Public-domain text, read in full here on John Shaqi.
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