Reminiscences of Prince Talleyrand, Volume 2 (of 2)Colmache, M., active 19th century
History
Reminiscences of Prince Talleyrand, Volume 2 (of 2)
Colmache, M., active 19th century
Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
“When I arrived in the Rue de Cléry, where Madame de Krudener then
resided, I found the street impassable—a crowd of carriages of every
description filling it from one end to the other. I immediately
perceived among the number admitted into the courtyard the plain green
carriage and unpretending liveries of the Emperor Alexander. It is
an extraordinary thing how time and place will suddenly tend to the
development of certain sentiments, which, even if they have existed
before, have, perhaps, been rather repulsed than encouraged. Thus
it was with me on the night in question. No sooner had I beheld the
pressure of the crowd, the difficulty of obtaining admittance into the
sanctum of Madame de Krudener, than I was seized with an indescribable
longing to press forward, and a regret that I had never been to her
receptions before. It was some time before I could force my way through
the dense mass of visitors which obstructed the staircase. However, in
all matters, great or small, everything happens, to those who know how
to wait with patience, and my turn did come in due course, and I also
found myself ushered into the mighty presence. How different did I find
this _huitaine_ from those I had witnessed at her former residence!
“The whole scene of former days flashed upon me, as I made my way
through the rooms towards the sanctorum wherein the divinity of the
place sat enshrined in mysterious and hallowed seclusion. When I had
last beheld her, before her departure for Riga, she was in the bloom
of youth and beauty; her complexion, of exquisite fairness, bespoke
her northern origin, while the delicate and graceful form bore all the
softness of the south. The long ringlets of golden hair which shaded
her face in such rich luxuriance had been the theme of many an ode and
sonnet, while her grace in the dance had made many an unhappy ‘Gustave’
among the sad _incroyables_ of the day.
“I now found her, after a lapse of years, the same in all things, and
yet, how strangely altered! Her youth was gone; and her beauty, of
which she still possessed some little share, no longer satisfied that
ardent thirst of admiration, that morbid, eager craving for popularity,
which had possessed her soul from her childhood upwards. She had
been greeted with divine honours, and divinity she would insist upon
remaining, in spite of the change which had taken place both in herself
and in her worshippers. She had exchanged her pedestal of alabaster,
wreathed with roses, for one of mere painted paste-board, and only
maintained her _àplomb_ upon its narrow surface by the strangest
efforts and contortions. It was a curious scene; such a one as I should
have thought it impossible to see enacted in the nineteenth century.
Public-domain text, read in full here on John Shaqi.
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