Reminiscences of Samuel Taylor Coleridge and Robert SoutheyCottle, Joseph
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Reminiscences of Samuel Taylor Coleridge and Robert Southey
Cottle, Joseph
Authors, English -- 19th century -- Biography; Coleridge, Samuel Taylor, 1772-1834; Southey, Robert, 1774-1843
Gaily from thy mother stalk
Wert thou danced and wafted high--
Soon upon this sheltered walk,
Flung to fade, to rot, and die.
Mr. Coleridge having requested me to decide concerning the introduction
into his volume of the two preceding Poems, I approved of the second,
with certain alterations, (which was accordingly printed,) and rejected
the first, for the reasons assigned in the following letter. This letter
is introduced for the sake of Mr. C.'s reply, and to exhibit the candid
and untenacious quality of his mind. As a mark of Mr. Coleridge's
solicitude to obtain the observations of another, without surrendering
his own ultimate judgment, he always encouraged my remarks on his
compositions. When about to send the second edition of his Poems to the
press, he thus wrote to me.
"My dear Cottle,
... On Thursday morning, by Milton, the Stowey carrier, I shall send you
a parcel, containing the book of my Poems interleaved, with the
alterations, and likewise the prefaces, which I shall send to you, for
your criticisms...."
This is mentioned as an apology for the freedom of the remarks I then
took, for it was always my principle not to spare a friend through
mistaken kindness;--however much I might spare myself.
"Dear Coleridge,
You have referred your two last Poems to my judgment. I do not think your
first, 'Maiden! that with sullen brow,' admissible, without a little more
of your nice picking.
The first verse is happy, but two objections apply to the second. To my
ear, (perhaps too fastidious) 'inly,' and 'inmost,' are too closely
allied for the same stanza; but the first line presents a more serious
objection, in containing a transition verb, (or rather a participle, with
the same government) without an objective:
'Inly gnawing, thy distresses
Mock those starts of sudden glee.'
Gnawing what? surely not distresses; though the bar of a comma can hardly
keep them apart. In order to give it any decent meaning, a tortuous
ellipsis is necessary; to pursue which, gives the reader too much toil.
Rejecting the first horse in the team, the three last are beautiful
animals.
Public-domain text, read in full here on John Shaqi.
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